Word: schnitzler
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...notoriously relaxed lunch hour. Reviews of his new book have been good, and just 24 hours after its release last week, a second printing was ordered. Veltroni cites Philip Roth and Ian McEwan as his favorite contemporary authors. But he also cites a more risqué name, Arthur Schnitzler, the Austrian writer who explored the limits of sexuality and the subconscious, and inspired Stanley Kubrick's film Eyes Wide Shut. Asked if he had any of his own recurring dreams, Veltroni chuckled. "I dream with my eyes open, like any elected official should do," he said...
...show was fun. Otherwise, why do it? And the enjoyment the Mercury team had in doing a tough job superbly is everywhere audible to today?s listeners. The narrative tone varied from show to show, as in a well- chosen theater repertory. A stentorian "Abraham Lincoln" was followed by Schnitzler?s sad-gay "The Affairs of Anatol"; a jaunty Holmes-Moriarty saga gave way to "Hell on Ice," a docudrama of a disastrous North Pole expedition, and one of the most adroitly harrowing hours you could shiver through. Houseman, Welles and Howard Koch, who was hired as the main writer...
...took their clothes off over and over for every major magazine and everyone cheered the possibilities. A real-life married couple having sex! Orgies! An intellectual movie for the masses! But it was DOA. The problem, of course, is that Kubrick forgot to give a film its center. In Schnitzler's novel, which was faithfully adapted (part of the problem), the emphasis is on the discrepancies between Tom and Nicole's dream (I call the characters by the star's names since I don't see the difference) and the fleetingness of reality. The film is supposed to come together...
...rest of the film is, sadly enough, a simple exercise in presenting unneeded answers to the many mysteries Bill encountered the night before. In Schnitzler's novel, Bill is left without a true explanation to his journey. But Kubrick inserts a scene where all loose ends are tied up and the result is almost laughable. The film limps to its finish, without catharsis or meaning. The "moral" of the film, according to Alice who had her own horrifying dream adventure the night before, is that "no dream is only a dream" just as no one night symbolizes all "reality...
...failure to realize that Bill is also entrapped in his own dream and Kubrick's revamping of Alice's dream (in the book, she dreams of her husband being tortured and crucified). It may seem unfair to criticize a movie because it is its own story, and not Arthur Schnitzler's. But this film has Dream Story's narrative structure, and throughout the movie--especially when the novella's closing moral is repeated verbatim--Kubrick commits himself to Schnitzler's theme...