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...cornucopia of wealth and well-being has brought some strange insecurities. "Luxus is a way of trying to making yourself different from others," complains Munich socialite Heidi Schoeller, the wife of a banker. "Money doesn't mean very much in a society where everyone...

Author: /time Magazine | Title: Germany: The Oh So Good Life | 7/9/1990 | See Source »

Divorced. François Sagan (born Quoirez), 25, France's slick novelist of disillusioned sex; and Publishing Executive Guy Schoeller, 44; after two years of marriage, no children; in Paris...

Author: /time Magazine | Title: Milestones, Jul. 11, 1960 | 7/11/1960 | See Source »

Married. Francoise Sagan (real name: Franchise Quoirez), 22, bestselling French novelist (Bonjour Tristesse, A Certain Smile), who has often expressed the belief that young girls should marry men in their 40s; and Guy Schoeller, 42, her publisher, to whom she dedicated her third book (Those Without Shadows); she for the first time, he for the second; in Paris...

Author: /time Magazine | Title: Milestones, Mar. 24, 1958 | 3/24/1958 | See Source »

...week took place in Paris, where Dans un Mois, Dans un An (In a Month, In a Year), the third novel in four years by Franchise (Bonjour, Tristesse) Sagan, 22, appeared, to the tune of a phenomenal first printing of 200,000 copies. Dedicated to Publisher Guy Schoeller, mid-fortyish, the man she has announced she will marry next winter, the book proved to be another bedtime story, no longer in the first person singular like the previous two, but still very personal. Its characters hop from boredom to boudoir and back again, and when asked what it all means...

Author: /time Magazine | Title: People, Sep. 16, 1957 | 9/16/1957 | See Source »

...small office last week, André Schoeller ruled a Corot, a Monet and a Renoir all frauds. A wealthy woman had brought him her latest purchase: 2,000,000 francs' worth of "genuine old masters," likewise all frauds. And he reported to a group of heirs, who supposed they had a fortune in Van Goghs and Cézannes: "Not a single genuine Cézanne or Van Gogh in the lot." But he was able to offer a consolation: he ruled them "all good examples of the French school of the 19th century." Thanks to the prestige...

Author: /time Magazine | Title: Art: True or False? | 2/2/1953 | See Source »

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