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MUSEUM OF FINE ARTS. Boston Musica Viva. Music of Bolcom, Schoenberg-Webern, Harris, Gauldin, and Ives. Tickets: $4 (students: $2). Tues...

Author: NO WRITER ATTRIBUTED | Title: Classics | 5/3/1973 | See Source »

Parker's life was as frantic as his music was creative. He said that he wanted to hear Schoenberg, Hindemith, Stravinsky, and Bartok-but he could never find the time. Married twice, his amorous escapades were infamous. He was charming, monstrous, lonely, tortured. He was trapped in the upside-down world of jazz. Day began at dusk and ended whenever the counterfeit glow of alcohol, drugs and sex wore off. He began to use heroin to unlock the doors of creativity the way Coleridge used opium and Schiller inhaled rotten apples. Finally he lost the trick of living...

Author: /time Magazine | Title: Music: Bird Lives! | 4/16/1973 | See Source »

Though the Concert Band concerts usually stress the classic pieces for symphonic band, such as those by Hindemith and Schoenberg, this year's concert drew almost exclusively on recent works. In Aaron Copland's "Outdoor Overture," the earliest work performed, brass fanfare was emphasized to a point where all harmonic subtlety was lost, but in the surprisingly tonal ending of "Music for Prague 1968," the band showed strong ability to play in chorale fashion...

Author: By Richard Shepro, | Title: Czechs and Streams | 3/24/1973 | See Source »

...empire was a satirist's paradise, as Musil demonstrated in his mammoth novel A Man Without Qualities, it was also the most exciting intellectual center in Europe. There were Mach and Boltzman in physics, Bruckner, Mahler and Schoenberg in music, Adler and Freud in psychology. There were also dozens of writers and journalists, including the brilliant, mordant social critic Karl Kraus, whose anti-paper Die Fackel (The Torch) was dedicated to making its readers "morally aware of the essential distinction between the chamber...

Author: /time Magazine | Title: Books: A Man with Qualities | 3/19/1973 | See Source »

...score is one of those seemingly loveless works that, like virtually the entire catalogue of John Cage, may eventually turn out to be more important as philosophical statement than as musical expression. The odds are good, for example, that it will never be any more popular than Arnold Schoenberg's atonal manifesto of 1912, Pierrot Lunaire; yet it could well rival its historical importance...

Author: /time Magazine | Title: Music: Crack in the Wall | 1/22/1973 | See Source »

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