Word: schonberger
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...love you, I love you.' To my mind that is something that you should whisper. . . . Look at his orchestration, that mass of different instruments in unison!" Wagner "suggests a butler who has been created a baron." About the music of Stravinsky he is unenthusiastic, finds extreme Modernist Schonberg "unsympathetic...
...under the tutelage of Professor Richard Robert, he made his debut in Vienna. At 14 he began to study composition under Modernist Arnold Schonberg. He met Violinist Adolf Busch when he was 17, thenceforth appeared with him in chamber music recitals. He began to strike out for himself as a soloist in England. France, Switzerland. Holland, Italy, Spain. Austria. In 1933 the German Government refused to let Serkin, a Jew, play at the Brahms Centennial in Ham burg (TIME, May 1, 1933). Violinist Busch, an Aryan, withdrew too, took the young pianist to live with him in Basle. Year...
...Olga Averino, soprano. The programs are as follows: Monday Quartet F major Op. 135 Beethoven Quartet No. 5, D minor Chadwick Quartet C minor, Op. 51 No. 1 Brahms Wednesday Quartet D major Franck Quartet Carpenter Quartet G minor Op. 10 Debussy Friday Quartet No 2 F sharp minor Schonberg Three Variations on a Theme C minor Harris Quartet No. 3, Op. 22 Hindemith
...Musical Art, New York, Gordon, Roth. But Mrs. Coolidge is earnestly devoted not only to the highest music but to "international exchange of culture." Last week's Festival featured uncommon-run composers like Cimarosa (The Secret Marriage, sung by Manhattan's Juilliard School of Music). Schonberg, Paul Hindemith, Bohuslav Martinu, Gustav Strube. The Busch Quartet played a "first any where" of Pizzetti and" a "first in the U. S." of Busch himself. This week Busch & Serkin were to play sonatas together in Washington. Then the Quartet was to play at Columbia, Yale and Harvard Universities before returning...
Release came in a conclusion easier to reconcile with the radical middle-aged Schonberg. He wrote his last solo for a speaker, gave him specific notes to hit as he recited about the peaceful things in nature. Philadelphians instantly recognized this so-called sprechstimme as the device which Composer Alban Berg, a Schoönberg pupil, used with the same wailing effect in Wozzeck (TIME, March 16, 1931). Piccolos had a prominent part in this last orchestration, done ten years after the first. The strings had difficult chromatics to flurry through. But it never got noisy or jarring, never lost...