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...manifested again in the U. S. premiere of his Avodath Hakodesh (Sacred Service), a setting for the liturgical texts used in the Hebrew temple. Composer Bloch conducted the performance, given by the 250 choristers of the New York Schola Cantorum, 80 members of the Philharmonic-Symphony and Baritone Friedrich Schorr of the Metropolitan Opera who acted as cantor. Bloch appeared clean-shaven and smiling, changed much from the harassed-looking. black-bearded man whom New Yorkers remembered. But Bloch's strength had not gone with his beard. He spread his arms wide and the orchestra sounded quietly, richly. Then...

Author: /time Magazine | Title: Music: Sacred Service | 4/23/1934 | See Source »

Tannhauser will be broadcast in full from the Metropolitan Opera House at 1.35 P.M. over WEAF and WJZ on Saturday afternoon with Lotte Lehmann, Melchior, and Schorr; Artur Bodansky conducting. The Boston Symphony Orchestra, assisted by the St. Cecilia Society and David McCloskey, will play the fol- lowing programme, to be broadcast Saturday evening at 8.15 P.M. over WEAF; Introduction to Solomon, by Handel; Evocation, by Loeffier; Prometheus, baritone solo, by Hugo Wolf; and Brahms' Fourth Symphony. Toscanini and the New York Philharmonic will play Beethoven's Overture to Fidelio, all three of the Leonora overtures, and Brahms' First Symphony...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 2/23/1934 | See Source »

...crouched on the floor, reproached the thing gently, sang to it ecstatically. Tenor Max Lorenz was a picture-book Herod instead of the crazy neurasthenic that Wilde and Strauss intended. Dorothee Manski (Herodias) had to pinchhit for Karin Branzell who was taken with gallstones (see col. i). Baritone Friedrich Schorr wore Jokanaan's haircloth shirt, sang resonantly. Tenor Hans Clemens (the Syrian) stabbed himself neatly...

Author: /time Magazine | Title: Music: Wanton's Return | 1/22/1934 | See Source »

...startlingly credible the creature half goddess, half woman, which Wagner imagined, dark handsome Contralto Maria Olszewska, who like Frida Leider used to sing with the Chicago Civic Opera; Basso Ludwig Hofmann whose Hagen was a model of malevolence. These three with Tenor Lauritz Melchior, the Siegfried, and Baritone Friedrich Schorr, who last week was Hagen's weak-kneed half-brother Gunther, caused Critic Lawrence Gilman to write in the Herald Tribune: ". . . The score has not been so beautifully and movingly sung as regards its principal roles since that unforgettable March afternoon at the end of a century when Jean...

Author: /time Magazine | Title: Music: king's End | 2/27/1933 | See Source »

...Karin Branzell made out of Klytemnestra, supposedly half-crazed by the sense of her guilt. Soprano Goeta Ljungberg looked foolish posturing in an elaborate white satin dress. Tenor Rudolf Laubenthal seemed more like a saintly Lohengrin than a man who had committed murder to get a throne. Baritone Friedrich Schorr was a dignified but middle-aged Orestes...

Author: /time Magazine | Title: Music: Metropolitan's Elektra | 12/12/1932 | See Source »

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