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...show, no Ziegfeld nor Dillingham production. Rather it is the notorious jazz opera of Ernst Krenek, 28-year-old Austrian, and it was presented last week by the august Metropolitan Opera Company with such important singers as Basso Michael Bohnen for Jonny, Tenor Walter Kirchoff for Max, Baritone Friedrich Schorr for Daniello, Sopranos Florence Easton for Anita, Editha Fleischer for Yvonne her maid, and Artur Bodanzky conducting...

Author: /time Magazine | Title: Music: Valedictory | 1/28/1929 | See Source »

...Elsa (Lohengrin) and Sieglinde (Walküre) are compelling flesh-and-blood women worthy of the music given them to sing. There is Karin Branzell, worthy successor to Schumann-Heink as Erda (Rheingold and Siegfried), Fricka (Walküre), Waltraute (Götterdämmerung), Brangaene ( Tristan), Baritone Friedrich Schorr vocally unequalled as Wolfram (Tannhäuser), Sachs (Meistersinger), Gunther (Götterdämmerung); Basso Michael Bohnen, big, commanding as King Marke (Tristan), as Hagen (Götterdämmerung); Baritone Clarence Whitehill, impressive always for the kindness, the dignity of his Amfortas (Parsifal), his Hans Sachs. Many...

Author: /time Magazine | Title: Music: Titan | 2/27/1928 | See Source »

...season of Richard Wagner's Gotterdammerung, stupendous finale of the Nibelungen Ring, fifth of the Wagner matinees. Nanny Larsen-Todsen, recovering from an illness, sang the difficlut music of Brünnhilde, creditably. Michael Bohmen, big bass also billed as "indisposed," was sinister, impressive, magnificent; Friedrich Schorr, superb as Gunther; Rudolph Laubenthal, bountifully bewigged, an uninspired Siegfried. Critics reveled in the music, lauded its interpreter, Conductor Artur Bodansky; bewailed the fact that carelessness and a disregard for Wagner's instructions were allowed to spoil many of the effects; prayed that the Metropolitan orchestra, for several weeks now noticeably...

Author: /time Magazine | Title: Music: Finale | 3/29/1926 | See Source »

...outright a great troupe if it were not for the matter of acoustics. The Germans are playing at the Manhattan Opera House. Vocalists may have beautiful, ringing tone in that auditorium, which in another theatre they lack. But the singers of the Wagnerian Festival seem excellent, notably the baritone Schorr. By comparison they have made the orchestra all the more an abomination. The company picked up a group of musicians hurriedly, and put them through the ticklish walks, paces, and gallops of pieces like Die Meistersinger and Tristan. Conductor Blech is an excellent director, but the Archangel Gabriel, himself, would...

Author: /time Magazine | Title: Music: New York | 3/3/1923 | See Source »

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