Word: schrab
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Thus it is that "Scud: The Disposable Assassin," an independent comic written and drawn by cartoonist Rob Schrab, is one of the latest comics to emerge from the comics underground into the glare of Hollywood's scrutiny. Creator Schrab attributes Scud's success to what he calls its multimedia appeal and its "surrealistically" funky style--both of which were probably factors in drawing Stone's attention in the first place...
...comic is set in a banal yet bizarre near-future world, in which voodoo dinosaur zombies can run amuck in a 24-hour convenience store, or the clerical error of some guy in shipping can cause you to wind up wearing the right arm of a lycanthropic astronaut. Schrab calls this aesthetic "surreal"--indeed, one of the book's slogans is "Surreality just got funky!"--but that doesn't seem quite the right way to describe it. The key to understanding the "logic" of Schrab's universe is to realize that it's not the same sort of causality that...
...connection of "Scud" to popular culture, and to genre film culture in particular, is one Schrab plays up heavily. He suggests that "Scud" readers imagine that they're watching a movie, complete with music appropriate to each page or each scene. Each issue lists on the inside cover a "suggested soundtrack," drawn from rock, alternative music and film soundtracks. Schrab even provides suggested "voice talent," so you know just what those voices in your head ought to sound like (Scud is supposed to be voiced by John Malkovich...
...Schrab is a highly gifted visual artist, and his fluid, hyper-kinetic black-and-white illustrations give the comic a definitely "cartoony" feel which contrasts quite effectively with the startling violence which periodically erupts in it. Ben Edlund's popular humor comic "The Tick" is a visible influence in the early adventures of Scud (for example, in the characters like the nefarious "Voodoo Ben" Franklin, a villain suspiciously resembling a founding father who animates his zombie armies using his electrified kite...