Word: schreibers
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Dates: during 1990-1999
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...Depalowski goes out of his way to persecute (and believe me, he really goes out of his way) a black boy out of all the black boys that are in his jurisdiction. Nor are we ever told the process by which the three Canadians (John Hannah, Deborah Unger, Live Schreiber) suddenly become best friends with Carter and decide to move to New Jersey (!) to fight for his release. And because so much of the movie centers round Carter and Carter alone, the other characters are left curiously two-dimensional, with no real reason for the audience to relate to them...
...exults Orson Welles (Liev Schreiber, right, with Roy Scheider), describing his concept for Citizen Kane (studio production No. RKO 281): "A titanic figure of limitless ambition...controlling the deceptions of everyone beneath him." Welles means William Randolph Hearst, the ruthless magnate he would nail in the movie that, owing to Hearst's power, almost went unreleased. The irony: like Hearst, the auteur was driven to selfish cruelty for his (artistic) ends. Despite Schreiber's intensity and charm, this film never plumbs its subject's soul as Welles' did, but it's an often absorbing study of free expression...
...only realized this year what a luxury it is not to get overexposed," says LIEV SCHREIBER. Rather than practicing false humility, the actor is acknowledging how intense media attention can hobble a career. As an example, he cites Orson Welles, whom he portrays in HBO's upcoming RKO 281, the story of the making of Citizen Kane. "When this movie was released," he says, "no one saw it because William Randolph Hearst hated it. So the press killed it." Schreiber has been drawing increased scrutiny as he rehearses Hamlet on Broadway and reprises his Scream role in December. And wary...
...Goldwyn (most commonly known as the bad guy in Ghost) makes his directorial debut with this film. The story centers around Perl (Diane Lane), the film's symbol of change and uncertainty. Pearl's family spends every summer at a bungalow colony in the Catskills. Her husband, Marty (Liev Schreiber), is forced to spend most of his time away from the family at work. As always, the absence of the husband conveniently opens the door for the infidelity of the wife, a pattern that plays out to perfection when Pearl becomes involved with an enigmatic blouse-seller named Walker (Viggo...
...story that's tangible and touching, and the performances of Lane and Schreiber are especially powerful. As the emotionally torn Pearl, Lane does an excellent job of conveying the sadness and regret that motivates her to do the unthinkable. Her credibility crumbles as she becomes more entangled in her affair with Walker, and the ease with which she betrays her husband is unfathomable. The shock is enhanced by Schreibier's convincing portrayal of Marty, the model of integrity and goodness. Pearl's journey of discovery has a happy ending, though one that is tempered by the sad reality of unrealized...