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Elizabeth D. Chao '00, who works in the Schreiber Laboratory in the Department of Molecular and Cellular Biology, says she believes this situation is potentially problematic for College students...

Author: By Sasha A. Haines-stiles, CRIMSON STAFF WRITER | Title: Harvard Reviews Conflict-of-Interest Policies | 3/10/2000 | See Source »

...ARMS DEALER: Karlheinz Schreiber, shown at right, is fighting extradition from Canada to Germany. He has given millions of dollars to senior officials of the C.D.U...

Author: /time Magazine | Title: Inside The Scandal | 1/31/2000 | See Source »

...SUCCESSOR: Wolfgang Schauble has admitted he took cash from arms dealer Schreiber. But the party is sticking by Schauble for now. One theory: it will wait till the scandal's end to dump...

Author: /time Magazine | Title: Inside The Scandal | 1/31/2000 | See Source »

...Depalowski goes out of his way to persecute (and believe me, he really goes out of his way) a black boy out of all the black boys that are in his jurisdiction. Nor are we ever told the process by which the three Canadians (John Hannah, Deborah Unger, Live Schreiber) suddenly become best friends with Carter and decide to move to New Jersey (!) to fight for his release. And because so much of the movie centers round Carter and Carter alone, the other characters are left curiously two-dimensional, with no real reason for the audience to relate to them...

Author: By Cheryl Chan, CONTRIBUTING WRITER | Title: Hurricane Bouts, Blows Hot Air | 12/17/1999 | See Source »

...exults Orson Welles (Liev Schreiber, right, with Roy Scheider), describing his concept for Citizen Kane (studio production No. RKO 281): "A titanic figure of limitless ambition...controlling the deceptions of everyone beneath him." Welles means William Randolph Hearst, the ruthless magnate he would nail in the movie that, owing to Hearst's power, almost went unreleased. The irony: like Hearst, the auteur was driven to selfish cruelty for his (artistic) ends. Despite Schreiber's intensity and charm, this film never plumbs its subject's soul as Welles' did, but it's an often absorbing study of free expression...

Author: /time Magazine | Title: RKO 281 | 11/22/1999 | See Source »

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