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...PHILOSOPHY of Nietzsche echoes in the background: "You must walk the paths of greatness." And it is too bad, Himmler (played admirably by Heinz Schubert) reflects later under the hands of his obese masseur, that "the path of greatness is strewn with corpses." Syberberg never shows the corpses, but traces the phenomenon back to its birth as fantasy, a dream in the Nazi mind, with tortured mannequins hanging from the gallows, dismembered dolls, as the film proceeds from its first parts, "The Grail" and "A German Dream" to "The End of Winter's Tale" and "We Children of Hell...

Author: By David A. Demilo, | Title: Hitler, Here is Your Victory | 4/23/1980 | See Source »

Whatever they play from their repertory of some 50 trios-in a recent appearance at Carnegie Hall, it was Beethoven, Ravel and Schubert-their work reflects years of study, discussion and meticulous rehearsal. Yet it is never reduced to rote. "During a concert, the one who has an inspiration will go with it," says Pressler. "The others will follow, even if they disagree. Then we do not simply replay a piece, we re-create...

Author: /time Magazine | Title: Music: Three Who Add Up to One | 3/31/1980 | See Source »

...Viennese unveiled three of the four operas, plus orchestral evenings of Schubert symphonies and Beethoven's Ninth Symphony. To be added to the repertory this week were Ariadne and a Beethoven-Wagner orchestral program. Next week, after a 17-day run in Washington, the company will go to New York, where it will repeat the Ninth and the Beethoven-Wagner program and present a concert version of Fidelio...

Author: /time Magazine | Title: Music: Vienna's Spark of History | 11/12/1979 | See Source »

...himself in opposition to the Austro-German musical tradition that extends from Bach through Mahler. To his composition students he held up Beethoven's sonatas as the supreme models of craftsmanship. The Columbia LPs conclude with a 1932 recording of him conducting his own orchestration of some Schubert dances-a gesture of homage that was not unusual for him. What passed for classicism in his own day, he wrote in one of the letters quoted by the Moldenhauers, ''emulates the style without knowing its meaning . . . whereas I (and Schoenberg and Berg) endeavor to fulfill this meaning...

Author: /time Magazine | Title: Music: A Revolution in a Whisper | 11/5/1979 | See Source »

...longtime resident of the Wiltshire countryside, he has developed slowly, outside the avenues of musical fashion, building an angular, passionate and original style that freely jumbles, say, madrigals, blues, jagged contemporary dissonances and echoes of Schubert...

Author: /time Magazine | Title: Music: Healing Spring | 6/4/1979 | See Source »

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