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Word: schulberg (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...this week made his debut in television-a world in which he would have felt as much at home as he did in Hollywood. Literary case histories of ruthless ambition have greatly multiplied since Sammy first came running 20 years ago, but he still outpaces them all. Novelist Budd Schulberg himself trimmed his book down to a two-part, two-hour television show, and to judge from the first installment (the second is due Sunday, NBC, 8 p.m., E.D.T.), TV cannot dim the rage of Sammy's mean-spirited race from Manhattan's Lower East Side to Hollywood...

Author: /time Magazine | Title: TELEVISION: Still Running | 10/5/1959 | See Source »

...whole world.") But Director Delbert Mann keeps the pace as brisk as Sammy's own. As the heel-hero's idealistic mentor, Al Manheim, John (Bachelor Father) Forsythe looks and sounds like the soft-hearted friend to man he was meant to be. Barbara Rush is Schulberg's "Vassar smarty-pants" scriptwriter down to the last inflection; Dina Merrill plays the conniving heiress with icy charm. The measure of the production's power is its faithfulness to Budd Schulberg's "blueprint of a way of life that was paying dividends in America in the first...

Author: /time Magazine | Title: TELEVISION: Still Running | 10/5/1959 | See Source »

Sunday Showcase (NBC, 8-9 p.m.). Part II of Budd Schulberg's deft dissection of a Hollywood heel on the make. Color...

Author: /time Magazine | Title: CINEMA,TELEVISION,THEATER: Time Listings, Oct. 5, 1959 | 10/5/1959 | See Source »

Sunday Showcase (NBC, 8-9 p.m.). The network continues its impressive series of prime-time specials with another big one: What Makes Sammy Run?, Budd Schulberg's vitriolic story of a young heel on the make. With Larry (Flower Drum Song) Blyden, Barbara Rush and Sidney Blackmer. Act I, with the second coming up next week...

Author: /time Magazine | Title: CINEMA: Time Listings, Sep. 28, 1959 | 9/28/1959 | See Source »

...Disenchanted (by Budd Schulberg and Harvey Breit) treats of Manley Halliday, who. if not wholly Scott Fitzgerald, is very much his blood brother. It treats of him, in a running narrative, in defeat; it shows him, by way of flashbacks, in decline. The razzle-dazzle days of the '20s, the champagne-bath marriage to an irresistible playmate and a hopelessly irresponsible wife, the dropping of bank notes like confetti, have left a writer as drained as his bank account. To get money enough to go on with a book, he agrees to work on a Hollywood film about college...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Dec. 15, 1958 | 12/15/1958 | See Source »

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