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Fans of Cartoonist Charles Schulz will recognize that the center's publicity gimmick is a direct steal from the comic strip Peanuts, in which Good Ol' Charlie Brown's mean, cranky friend Lucy deals out her own brand of caustic counseling from a "lemonade" booth. But Psychiatrist Weininger apparently knows his Freud better than he knows his Schulz; at this time of year, Lucy's fee is not a nickel. Every October, because it is less comfortable to man an open booth in cold weather, she raises her price to seven cents...

Author: /time Magazine | Title: Behavior: Sidewalk Psychiatry | 1/1/1973 | See Source »

Shortly after 4:30 p.m. (CST), Rudolph W. Schulz, chairman of the University of Iowa's Psychology department, which had invited Herrnstein to Iowa City, announced that the Harvard professor would not appear because "he does not feel he is able to speak before this audience...

Author: NO WRITER ATTRIBUTED | Title: Iowa SDS Stops Herrnstein Speech | 2/26/1972 | See Source »

...conceivable art form-painting in oil and watercolor, drawing, photography, sculpture, woodcut, collage, even needlepoint. The prominent contributors over the decades include Painters Pietro Annigoni, Boris Artzybasheff, Boris Chaliapin, Dong Kingman, Henry Koerner, Peter Max, Andy Warhol, Grant Wood and Andrew Wyeth; Cartoonists Herblock, Bill Mauldin, Patrick Oliphant, Charles Schulz and James Thurber; Sculptors Robert Berks and Marisol. Among the hosts of the Los Angeles exhibit will be Glessmann and Associate Publisher Ralph Davidson...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 11, 1971 | 10/11/1971 | See Source »

...height of World War I, air aces dogfight across European skies. In a startling revelation, the Red Baron's nemesis is shown to be a Major Larrabee (Rock Hudson), not Charles Schulz's Snoopy. No need to worry. Hudson's canine grin and acting prowess render him a close second to the vincible puppy. All that is missing is Linus, Lucy, Schroeder & Co. Standing in for them is a series of second-banana-peel comedians. Among them: a down-at-the-heils German agent, a couple of farceurs from the French intelligence, and a pip-pip righty...

Author: /time Magazine | Title: Cinema: Quarter Chance | 7/27/1970 | See Source »

American humor in its traditional forms -the wisecrack, the tall tale, the deadpan jape, the shaggy-dog story -has both resisted the official puritanism and made it all possible. For more than two centuries, from that subversive puritan Ben Franklin to the wryly theological Charles Schulz, the nation's humorists have operated as a tolerated underground culture. They have conspired to create a fantasy world where good Americans could be as shiftless as Charlie Chaplin's tramp, as cynical as W.C. Fields never-giving-a-sucker-an-even-break, as lecherous as Groucho Marx prowling a bedroom. American...

Author: /time Magazine | Title: Essay: WE ARE NOT AMUSED-AND WHY | 7/20/1970 | See Source »

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