Word: schumann
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...showdown between partners, the bigger name usually wins. Moore recalls that when he played for Chaliapin, the great Russian bass used to ham up the end of Schumann's Die beiden Grenadiere with a great theatrical gesture, causing the pianist's Nachspiel to be lost in the applause. "There was nothing I could do," says Moore. "Chaliapin was a great big chap more than six feet tall...
...most frenzied and violent passages-notably during Sonata No. 6, when he flailed the keyboard with a clenched fist-Richter drew forth a tone that was warm instead of strident, as full of shadings as a guttering candle flame. Later in the week Richter offered programs including Haydn, Schumann, Debussy and Rachmaninoff, playing each one with the uncanny air of direct communication that he conveys better than any other pianist alive. Under Richter's hands, even Debussy's much-abused Clair de Lune looked like a new moon. Wrote an all-but-wordless critic, the New York Herald...
...This fall, besides Millar, Bernstein chose Massachusetts-born Rus sell Stanger, 30, and Israeli-born Elyakum Shapira, 33. All three were in the hall at last week's concert when Bernstein walked offstage and announced that he was too ill to return to conduct the next scheduled work-Schumann's Symphony No. 4. (He was suffering the aftermath of a case of bronchitis contracted during the orchestra's six-week, 20,000-mile summer tour...
...stood before the orchestra, but Bernstein rose from his dressing-room sofa and handed him his baton-although Stanger, the only one of the assistants to have led the orchestra on tour, suggested drawing lots. "I have complete confidence in you," said Lenny to Millar, who had conducted the Schumann work in San Francisco a year earlier...
Clubs & Violins. Next day, with Bernstein still sick, Millar conducted the Schumann again, while on the same program Shapira took over Beethoven's "Leonore" Overture and Stanger led Debussy's Afternoon of a Faun and Stravinsky's Firebird Suite. All of them, the audience agreed, sounded first-rate. Said one Bernstein...