Word: schumann
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...quarter-century and include both live and studio recordings, were discovered unmarked and unedited in the company's vaults in Holland in 1993 and were released earlier this fall with the imprimatur of the temperamental pianist. The music represents the heart of his repertoire: Bach, Mozart, Beethoven, Brahms, Schumann, Schubert, Haydn, Weber, Chopin, Liszt, Scriabin, Prokofiev and Shostakovich. There is probably no better compendium of Richter...
...conserve his voice for a long career, so for now it is Figaro and Leporello and a few comparably medium-weight roles. He also loves to sing lieder and other nonoperatic works. Conductor Claudio Abbado remembers the "beautiful vocal subtlety and understanding" that he brought to their recording of Schumann's difficult Faust...
...with references to other music, and he uses the source material as the launching point for his own rhythmically relentless, acerbically orchestrated commentaries. "Music," he says, "is power, passion, pulse, pain." In the psychologically astute The Man Who Mistook His Wife for a Hat, for example, Nyman used a Schumann song, Ich grolle nicht, as the musical foundation of the opera to illustrate the eponymous victim's visual agnosia: unable to synthesize visual images, the man relied on Schumann's music to help him apprehend the world. In The Piano, Scottish folk tunes suffused the keyboard reveries that gave...
...second movement of the concerto highlighted the orchestra's skills, as they played pizzacati remarkably in unison for close to the entire Adagio. Lin's treatment of the cadenza appeared to mention Schumann's Fourth Symphony, though it might have come unconsciously. He and Yoo then led the orchestra jovially through the Presto. The Haydn, though not the flashiest work written for violin and orchestra, benefited immensely from Lin's thoughtful and decorous performance...
...never been busier. This fall she sings Mozart at the Met (The Marriage of Figaro, Idomeneo) while preparing a January recital for Lincoln Center at which James Levine will accompany her. She has recently released two classical albums: songs by Aaron Copland (with baritone Thomas Hampson), and lieder by Schumann, Schubert, Wolf and Mozart, with texts by Goethe, accompanied by pianist Richard Goode. Due out in October is a record that shows yet another departure: music from Eastern Europe with the Kronos Quartet...