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Princeton kicked off the concert with an unnecessarily dull interpretation of a selection from Heinrich Schutz's "Symphoniae Sacrae I." The major portion of Princeton's first half was given to a semi-dramatic treatment of selections from the opera "Richard Coeur-de Lion" by Andre Ernest Modeste Gretry. Despite the appropriateness of the light-hearted portions they performed, the choice was unfortunate. The Princeton Glee Club did not have soloists capable of handling the piece technically, with the notable exception of Marion Sleet...

Author: By Beth Edelmann, | Title: The Princeton Glee Club Concert | 11/8/1965 | See Source »

Other works on the program include Omnes Gentes by Jacob Handl; Psalm 84, by Heinrich Schutz; and two motets, Ich Lasse Dich Nicht, by J.C. Bach, and Warum ist Das Licht Gegeben, by Brahms. The small chamber chorus will offer four settings of the Ave Maria by Joaquin des Pres, Schutz, Verdi, and Stravinsky, in addition to the Trois Chansons by Debuzsy...

Author: NO WRITER ATTRIBUTED | Title: Summer Chorus | 8/19/1965 | See Source »

Elliot Forbes had obviously worked hard on dynamics for all the works on the program. In "Deutsches Magnificat," by Heinrich Schutz, he established a different mood for each phrase, and built up a gradual, carefully controlled crescendo for the piece's final cadence. Forbes made Hans Hassler's distressful, chromatic motet very convincing with sudden pianissimo phrases; the words were never blurred when the chorus sang softly...

Author: By John A. Rice, | Title: Glee Club Spring Concert | 4/27/1964 | See Source »

Fortnight ago, at the Vatican, Augustin Cardinal Bea's Secretariat for Promoting Christian Unity announced that a limited number of religion experts would attend the council as its special guests, distinct from the appointed observer-delegates. First three named: Prior Roger Schutz and Pastor Max Thurian, both Calvinists from France's famed Protestant "monastery" at Tarze, and Lutheran Biblical Scholar Oscar Cullmann...

Author: /time Magazine | Title: Religion: Protestants to Rome | 8/24/1962 | See Source »

...with two settings of the communion hymn 'ave Verum Corpus," one by Josquin des Pres and the second by William Byrd. Both were good (That's right, there are so many favorable adjectives in this that the supply is running pretty low). The concluding work on the program, Schutz's version of Psalm 84, was also competently performed. In all, it was quite a concert. Someone had quite evidently put a lot of work into...

Author: By Frederic Ballard, | Title: Summer Chorus | 8/20/1962 | See Source »

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