Word: schutzes
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WITH singular integrity the Cambridge Society for Early Music last Wednesday evening avoided the institutionalized classics of antiquity, particularly those Interesting Historical Figures Palestrina, Monteverdi and Gabrieli, to present two pivotal and masterful liturgical compositions. These were the Musikalische Exequien (1636) of Heinrich Schutz, and the Vesperae de Dominica (1779) of Mozart. The first work was instrumental in transferring musical hegemony from Italy to Germany, while the Mozart work illustrates that composer's bursting maturity, a maturity which would soon reach its highest achievement in his church music with the great unfinished Mass in C minor...
...Schutz, who was born into the world of Shakespeare and Cervantes and died in the world of Corneille and Racine, was the greatest German composer before Bach. His surpassing importance as one of music's choral masters is exceeded only by his inexplicable anonymity. He absorbed the colossal Baroque style of Giovanni Gabrieli as well as the audacious innovations of Monteverdi, both Schutz's contemporaries and teachers, to forge a colorfully formal, intensely spiritual, quietly progressive style. In its unorthodox form, the Exequien looks forward to the cantatas of Bach and the oratorios of Handel. The work is characterized...
...result of doggedly exhuming every ornament as of pentrating to the irreducible dramatic intention of each composition. The performers were most successful in the movingSong of Simeon, in which a baroque solo choir in the balcony sings a text different from that of the main choir, symbolizing in Schutz's words "the joy of the blessed souls in heaven." TheGloria, a quodlibet of Lutheran chorale melodies was precisely thought out and excellently proportioned among the voices. As for the seven soloists, the men were more distinguished than the women in regard to vocal blend if not phrasing, with Daniel Collins...
...determination to keep them free. Thus last week, when 10,000 leftist students marched through the streets carrying Communist banners, chanting "Ho, Ho, Ho Chi Minh" and crying their hatred of the "Amis," the city's reaction was immediate and visceral. Spurred by angry newspaper editorials, Mayor Klaus Schutz called West Berliners out for a giant pro-American demonstration that would serve as "an answer to the radicals and rowdies in our city...
...leftists quickly demanded guarantees that the new mayor would work with them as Albertz had. Schutz, feeling himself publicly challenged, refused to make any commitments. The leftists then caucused and several small groups did vote against accepting him as mayor; the majority was, inevitably, for him. The alternative, which Brandt presented with some glee, was to turn the city over to the Christian Democrats...