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Also facing sentencing are two former employees in the councillor's law firm, Ann Jarosiewicz and Frances Schwartz...

Author: By Sewell Chan and Terry H. Lanson, S | Title: Community | 11/10/1994 | See Source »

...Verge, first performed in 1985, is not a great play; at times, it's downright idiotic. However, it has its moments of humor, especially in the second half, and these are brought to the fore in this production by some good acting and the able direction of Scott Schwartz...

Author: By Erica L. Werner, | Title: On the Verge of Bursting the Corset Stays | 10/27/1994 | See Source »

...seemed in many ways the odd woman out among her generation of U.S. poets, and not only because of her gender. Elizabeth Bishop (1911-79) suffered none of the public breakdowns, burnouts and crack-ups that afflicted such talented contemporaries as Robert Lowell, Delmore Schwartz, John Berryman, Randall Jarrell and Theodore Roethke. "You are the soberest poet we've had here yet," a secretary at the University of Washington once told her; she cherished the comment and repeated it to others. Bishop's public image seemed serene -- photographs taken well into her middle years invariably show small features arranged impassively...

Author: /time Magazine | Title: She Mastered the Art of Losing | 4/25/1994 | See Source »

...sheperdess played by Julia Chou, sings with confidence and precision. Timothy Griffiths in his tongue-twisting patter solos as the Lord Chancellor and Marcia Turner as Iolanthe pleading for her son's cause also give noteworthy performances. Yet some of the other characters seem less at ease. Jonathan Schwartz as Lord Tollolier cannot be understood very well over the orchestra. The voice of the Queen of the Fairies, portrayed by Emmy Brown, falters on the high notes and tends to drop off too quickly at the end of phrases. Her spoken lines are stronger and more convincing and reveal enticing...

Author: By Susan S. Lee, | Title: Gossamer Fairy Wings, Pomp and Cricumstance | 4/14/1994 | See Source »

...still appears, but it seldom makes waves. At its zenith, though, it was home to some of America's brightest talents, from the novelist Mary McCarthy to the poet Delmore Schwartz to the critic Lionel Trilling. In its pages, tiresome Marxist posturing coexisted with the best of literary modernism; the editors, Macdonald perhaps most of all, believed that politics was of no consequence when it came to high art. Thus PR printed short stories by Kafka and poetry and essays by Anglo-Catholic royalist T.S. Eliot...

Author: /time Magazine | Title: BOOKS: No Foolish Consistency | 4/4/1994 | See Source »

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