Search Details

Word: schwarzkopf (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...supreme danseur noble. The finest technician on two feet, his endless pursuit of classic perfection forgoes the kind of passionate abandon that marks the style of Rudolf Nureyev, the only other dancer in his class. Says one ballerina: "Nureyev is like Callas singing Bellini; Bruhn is like Schwarzkopf singing Mozart." But Bruhn has learned something about characterization from his friend Nureyev. As Don Jose in Roland Petit's version of Carmen, Bruhn was a man possessed, a smoldering Valentino driven by lust and racked with despair. Eyes afire, nostrils flaring, he sprang about the shadowy stage with the fierce...

Author: /time Magazine | Title: Dance: The High & the Mighty | 12/10/1965 | See Source »

Orchestra and Chorus are outstanding and the soloists are good. They include Elisabeth Schwarzkopf and Jerome Mines, who sings majestically in spite of a few uncertain slides into home bass. Klemperer's sober new recording is musically the peer of Sir Thomas Beecham's big bright version with its heady hallelujahs (RCA Victor), and of Sir Adrian Boult's, which stars Joan Sutherland and her exquisite embellishments (London...

Author: /time Magazine | Title: Television: Nov. 26, 1965 | 11/26/1965 | See Source »

...murmur of the sea. Performances are held in the centuries-old square of St. Michel's Church, which affords a panoramic view of the surrounding lemon groves and the port. Highlights include concerts by Pianists Byron Janis and Van Cliburn and a Schubert recital by Soprano Elisabeth Schwarzkopf...

Author: /time Magazine | Title: Festivals: The Happy Plague | 6/11/1965 | See Source »

...love all those demented old dames of the old operas," she says. "They're loony, but the music's wonderful." The following evening offered Soprano Elisabeth Schwarzkopf, 49, making her belated debut at the Met singing the demanding role of the Marschallin in Der Rosenkavalier. Blondly radiant, and in sure control of her pure soprano, grown a shade harder over the years, Schwarzkopf proved that her Marschallin is still the most memorable since Lotte Lehmann's in the 1930s...

Author: /time Magazine | Title: Opera: Behind the Nervous Curtain | 10/23/1964 | See Source »

...does so here, and it is unlikely that anyone could be more eloquent. He does not set the Dies Irae ablaze as Toscanini did, but his performance has a steady incandescence. Honors also go to London's Philharmonia Orchestra, its huge chorus, and the four soloists, Soprano Elisabeth Schwarzkopf, Tenor Nicolai Gedda, Bass Nicolai Ghiaurov, and the especially lustrous Mezzo-Soprano Christa Ludwig...

Author: /time Magazine | Title: Time Listings: Oct. 2, 1964 | 10/2/1964 | See Source »

Previous | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | Next