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...Broken Chain, which debuts a week later, goes back a century earlier to the confederacy of six Iroquois tribes, an alliance that was shattered by conflicting loyalties during the American Revolution. The focus again is on a legendary rebel -- Joseph Brant (Eric Schweig), an Iroquois warrior educated in English-speaking schools, persuaded his tribe to support the British during the revolution and later became a marauding terror to colonial settlers. The acting is more wooden and the drama more sketchy than in Geronimo. Yet the history lesson -- that principles of the Iroquois confederacy were an important influence on the American...

Author: /time Magazine | Title: Ted Turner Goes Native Tnt's | 12/6/1993 | See Source »

...Schweig, a staff assistant at the Freshman Dean's Office, said she thought the formalizing of domestic partnerships should be taken further...

Author: By Emily J. Tsai, CONTRIBUTING REPORTER | Title: Domestic Partners Register | 11/17/1992 | See Source »

...thief, then retelling his role, à la Falstaff, as heroic. In The High School, the longest and most didactic episode, Gilford plays a domineering and ignorant father whose son is anxious to leave the ghetto for the new century. Between these sketches, Adapter Arnold Perl has shoehorned Bontche Schweig, by I.L. Peretz, a man without Aleichem's name or talent, presumably to allow Gilford a star turn. The late Schweig, presented to God and his angels, has only one line, but it is enough to shame the heavenly host...

Author: /time Magazine | Title: Theater: Pushcart Show | 2/22/1982 | See Source »

...Schweig tells of a woman who "asked me to take pictures as the bridesmaids came down the aisle. I resisted because I don't want to be intrusive and you need flash with moving people in a church. It turned out she didn't care if I had film in the camera, she just wanted her guests to see the flashes...

Author: By Eleni Constantine, | Title: Scenes from a Wedding | 3/24/1976 | See Source »

Black and white, color, formal or candid, these photos are steeped in symbolic importance. The participants are visibly tense; they want to get it right, this eternal image. None of the men know what to do with their hands. One of Martin Schweig's brides clutches a bouquet and stares terrified into the camera. A row of Bachrach bridesmaids stand cracking smiles in their porcelain white faces, as alike as the ticky-tacky boxes they stand in front...

Author: By Eleni Constantine, | Title: Scenes from a Wedding | 3/24/1976 | See Source »

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