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...with an ironic twist that can pass for 1980s modernism. We're so hip, we know that every movie thrill is a fraud. We know the technique behind each matte shot, each jive emotion. Perhaps the audience at some B-minus sci-fi thriller in the 1950s solemnly attended to the stilted dialogue, leaden performances and not-so-special effects. But today's cognoscenti find the dew of nostalgia on these pictures, then wink and say, "They're so bad, they're good." Smart directors stoke the trend with camp updates of the olden turkeys. In Tobe Hooper's remake...

Author: /time Magazine | Title: Cinema: Everything New Is Old Again | 7/14/1986 | See Source »

...1960s it was back to the future. Indeed, the future was now, and adults were encouraged to behave like children. The two strains of American design thus converged again, spectacularly, and this time the self-conscious sci-fi playfulness had a hysterical go-go edge. Just as children's toys had become plastic, throwaway items after World War II, grownups' furniture became overtly disposable. Frank Gehry's democratic cardboard-and-pressed- fiber chairs (1972) are delightful, but did anyone outside of an Antonioni film ever enjoy sitting on an inflatable plastic couch or wearing a paper dress? American designers today...

Author: /time Magazine | Title: Design: The Shape of Things to Come | 12/23/1985 | See Source »

...Faulkner confirmed for What is to be Done? readers that the Gurus' new record and its title song are both named in honor of Mars Needs Women, the spectacularly awful sci-fi exploitation flick whose title needs no elaboration...

Author: By Jess M. Bravin, | Title: Gurus From Down Under | 11/14/1985 | See Source »

Although Shintaido has had an active following on campus since the spring semester of 1984, few members of the Harvard community would probably define it as anything other than a sci-fi film or a sushi dish...

Author: NO WRITER ATTRIBUTED | Title: Harvard Grapples With Shintaido | 10/25/1985 | See Source »

...Then he interrupted himself 'to bring us an important message.' He announced that a tornado was coming, then flipped us over his head to safety. If we looked at him, he said, we'd turn to stone." Nancy played a featured role in Steven's minimum opus Firelight, a sci-fi thriller made when he was 16 and she was eight. "I played a kid in the backyard who was supposed to reach up toward the firelight. Steven had me look directly at the sun. 'Quit squinting!' he'd shout. 'Don't blink!' And though I might have gone blind...

Author: /time Magazine | Title: Show Business: I Dream for a Living | 7/15/1985 | See Source »

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