Word: sci-fi
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...drawn ("It's a pejorative, demeaning. I got a brain, you know"). Nevertheless, it is getting him good movie-acting work. He starred in Brimstone and Treacle and will appear as the head heavy in the upcoming Dino De Laurentiis/David Lynch film of Frank Herbert's sci-fi behemoth Dune. Stage presence and movie appearances tend to reinforce each other, producing a charisma that may be inadvertent but is certainly undeniable. Copeland puts it simply, "His face is our face...
...billion-dollar publishing venture. Doraemon, an atomic-powered robot cat, makes Garfield look like something the human dragged in. Created in 1970, Doraemon has now appeared in a 26-volume collection with sales of $50 million. In 1980 Akira Toriyama sold 15 million copies of his 17-volume sci-fi comic Dr. Slump. There is even a manga temple outside Tokyo where, above the central altar, a legend is inscribed: THE IDEAL PRIEST...
...writer fond of doing the unexpected--previous works include A Clockwork Orange, a translation of Oedipus Rex and a sonata--Burgess strives for effect by interweaving the life of Freud, a sci-fi apocalypse, and Trotsky's visit to New York. Styles range from a libretto to a TV-play, at times in utter parody of themselves...
...second story, vaguely science-fiction, centers around Valentine Brodie, a college professor and dabbling sci-fi writer. In a twist of morbid irony, he finds himself amides scenarios all too typical of, the genre he never took quite seriously: Lynx, a wandering planet from outer space, is going to smash the earth, ending civilization as we know it. But a plan to salvage humanity, by sending the cream of the race into space to begin a new, brings the story back to Burgess' theme--the question of just what is worthwhile about humanity and the culture we have created. According...
...first Sayles movie he has not edited on the kitchen table of his home in Hoboken, N.J. But Baby, It's You is not the traditional calling-card film of an ambitious young talent, shaping its dexterity to the restrictive demands of the horror or sci-fi genre. This movie, set in Trenton, N.J., in 1967 and loosely based on the teen-age experiences of Producer Amy Robinson, has the same Sayles eye for offbeat casting and off-the-shoulder comedy, the same ability to infiltrate the minds of charac ters from widely different social strata. Nothing has changed...