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Home video has also been a boon for some small films that did well with critics but badly at the box office. The Adventures of Buckaroo Banzai, a sci- fi comedy that got sympathetic reviews but few theater customers, has gone platinum on cassette (100,000 units sold). Cross Creek, a well-reviewed drama about Novelist Marjorie Kinnan Rawlings, surpassed its theatrical revenues with $1.5 million in home-video sales. A few films, like Crimes of Passion, have been re-edited for home video to restore racy or violent footage cut for the theatrical release. Some VCR owners actually prefer...
...Then he interrupted himself 'to bring us an important message.' He announced that a tornado was coming, then flipped us over his head to safety. If we looked at him, he said, we'd turn to stone." Nancy played a featured role in Steven's minimum opus Firelight, a sci-fi thriller made when he was 16 and she was eight. "I played a kid in the backyard who was supposed to reach up toward the firelight. Steven had me look directly at the sun. 'Quit squinting!' he'd shout. 'Don't blink!' And though I might have gone blind...
This is an uncharacteristically earthbound performance for Adams, who until now has needed the limitless expanses of the universe to let him leap backward and forward through space, time and meaning. Still, Fish is the best evidence yet that Adams is not simply a funny sci-fi writer but a bomb-heaving satirist. Consider the spaceship that lands in central London, demolishing Harrods and disgorging a robot that demands, "Take me to your Lizard." On its world, Ford Prefect explains, "the people are people. The lizards are lizards. The people hate the lizards and the lizards rule the people...
...were building a house, or raising a barn, as he helps to do in Witness. "I'm a technical actor, and my approach to both jobs is almost totally technical," he explains. "There's no magic involved, only work and circumstance." Ridley Scott, who directed Ford in the 1982 sci-fi thriller Blade Runner, observes that, like a good carpenter, Ford is obsessive about small things. "After going over the story line, he'll turn to the details," says Scott. "He wants to know not only what the character looks like but what he'd wear, right down...
...animated lecture-leaving a mass of factoids swimming through the moviegoer's brain-and ends with the cry "For he is the Kwisatz Haderach!" So inward and remote does the movie seem, it might have arrived in a time capsule from one of the four warring planets. Most sci-fi movies offer escape, a holiday from homework, but Dune is as difficult as a final exam. You have to cram...