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...ongoing series at the Harvard Film Archive comprising films suggested by Hoberman reflects the same distinctive taste. “Poetic Horror, Pop Existentialism, and Cheap Sci-Fi: Cold War Cinema 1948-1964” will continue through the spring...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: Hoberman Reveals Cinema’s Cold War Secrets | 2/15/2007 | See Source »

...demonstrate, the cultural anxieties of the Cold War did not confine themselves to a single genre. The semi-documentary “Panic in the Streets” (Elia Kazan, 1950), the noir masterpiece “The Third Man” (Carol Reed, 1949), and the low-budget sci-fi romp “Rocketship X-M” (Kurt Neumann, 1950), are equally suffused with dread, uncertainty, and black humor...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: Hoberman Reveals Cinema’s Cold War Secrets | 2/15/2007 | See Source »

...display are more than 100 of the most inventive works from the past three years, ranging from new graphics for prescription pill bottles to wardrobes for Madame Butterfly. The exhibit is meant to showcase recent design feats, but it feels futuristic, with a prominent pack of robotic dogs and sci-fi humanoids coming to life among the customary displays of architectural models and modernist furniture...

Author: /time Magazine | Title: The Robots are Coming | 1/23/2007 | See Source »

...happy to be returning to sci...

Author: /time Magazine | Title: Q&A with James Cameron | 1/11/2007 | See Source »

...April, nearly 10 years after Titanic made its box-office splash, director James Cameron starts filming his next feature, the sci-fi film Avatar...

Author: /time Magazine | Title: People: Jan. 22, 2007 | 1/11/2007 | See Source »

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