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London commuters must feel like they've stumbled into a sci-fi flick. On the platform at Notting Hill Gate underground station, a poster for American singer Jack Johnson doesn't just promote his latest album, In Between Dreams - it plays three of the tracks. On the main escalator at Tottenham Court Road, nearly half a million riders a month watch ads such as an overflowing bath - for home insurers Direct Line - cascade down a line of 33 LED screens. And when Coldplay launched their album X&Y in May, giant screens beamed invitations to every turned-on, Bluetooth mobile...

Author: /time Magazine | Title: Invasion Of The Digi-Ads | 9/25/2005 | See Source »

...every imaginable movie genre and made at least half a dozen pictures that are among the best of their breed, including The Set-Up, a tragic boxing tale whose running time matched the time elapsed in the story; a tough-as-nails noir, Born to Kill; and the sublime sci-fi masterpiece The Day the Earth Stood Still. In those films, as in his other Oscar winner, West Side Story, in which his camera was a fully choreographed partner with Jerome Robbins' dancers, his impeccable and unpretentious craftsmanship became the true assertion of a modest, subtle and humane temperament...

Author: /time Magazine | Title: Milestones | 9/19/2005 | See Source »

Four autumns ago, the TV networks presciently, weirdly, scheduled three terrorism dramas just before 9/11. This fall, just after Hurricane Katrina, the lineup includes three sci-fi series about menaces from the water. Is it conspiracy? Clairvoyance? No, just TV: blame the success of ABC's Lost, in which plane-crash survivors battle eerie phenomena and seaborne attackers on an island...

Author: /time Magazine | Title: Television: Doom Is Big, and All Is Lost | 9/18/2005 | See Source »

...every imaginable movie genre and made at least half a dozen pictures that are among the best of their breed, including The Set-Up, a tragic boxing tale whose running time matched the time elapsed in the story; a tough-as-nails noir, Born to Kill; and the sublime sci-fi masterpiece The Day the Earth Stood Still. In those films, as in his other Oscar winner, West Side Story, in which his camera was a fully choreographed partner with Jerome Robbins' dancers, his impeccable and unpretentious craftsmanship became the true assertion of a modest, subtle and humane temperament...

Author: /time Magazine | Title: Appreciation: Robert Wise | 9/18/2005 | See Source »

...good idea and limp with it. The visual style will not send Steven Spielberg back to film school. But Townsend engages the viewer with a lot of cute fantasy-parodies. In a TV review show, Sneakin' in the Movies, the streetwise critics give thumbs up only to a sci-fi thriller called Attack of the Street Pimps. A TV commercial for the Black Acting School shows its (white) teachers providing the finer points of jive talking and stud strutting. Bobby stars in a Stallone-style epic, Rambro: First Young Blood, and wins the Best Actor Oscar over Robert Redford...

Author: /time Magazine | Title: Cinema: Art, War, Death and Sex | 9/8/2005 | See Source »

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