Word: scopes
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Dates: during 1970-1979
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Only a few of the major composers of the 18th and 19th centuries showed much interest in the solo cello; the result was a paucity of literature. It was Casals who gave the cello its modern voice by enlarging its scope as a solo instrument. This emboldened composers, and the result today is a substantial library of fine cello musk. Casals' technical genius, moreover, virtually revolutionized cello playing. He extended the instrument's physical possibilities, stretching his left hand over the finger board instead of sliding it, and in so doing broadened the range of phrasing, intonation and expression...
...controversy has arisen over Epp's apparent failure to clarify the scope of the committee, and whether minority organization leaders would be attending as individuals or representing the members of their organizations...
...themselves. For many months the film's future has been jeopardized by a dispute between its director and Producer Alberto Grimaldi, who could not come to terms over its running time. Bertolucci has now cut 1900 from 5½ hours to four without substantially altering its impact or scope-or for that matter, remedying its built-in weaknesses. Last week, on the eve of the new version's premiere at the New York Film Festival, Paramount Pictures announced that it would distribute the briefer movie nationwide...
...giving the book a scope beyond the story of Dan Lavette, Fast creates something more than another tale of how the American Dream went sour. He imparts a feeling for the rich variety of life that was swirling in America while the Gross National Product expanded. Fast is, above all, a splendid storyteller, a chef whose recipe is a rich blend of human incident and emotion. And he has an ample stock of ingredients...
...there remains a feeling that the play does not truly do justice to the enormous scope of Robeson's life and his vision. On stage, Robeson the man essentially becomes James Earl Jones the actor: a prepossessing, engaging man, graciously humble about having led a life more inspiring than those of his audience. The playwrite, Philip Hayes Dean, defends this predictable, heart-warming treatment by pointing out that "if you take anybody's life and put it on stage, you have to make him charming; you're asking people to sit with him for two hours." And Paul Robeson never...