Word: scopes
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Dates: during 2000-2009
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...bloody figures: 378,154 words in the first 99 columns, for an average of 3,820 words per story. The shortest piece was the first, an introduction to the scope and aims of the enterprise. That came in under 2,000 words. The pieces averaged about 2,500 words for the first few months, then just grew like Pinocchio?s nose. The longest column was on a dozen films made from Woolrich novels and stories. That one (it was the second of two Woolrich pieces - I do get carried away) ran more than 7,600, and I fear that, somewhere...
...style and scope of the Madrid attacks differed from some of the established ETA patterns, that may just be an indication that the group has changed a great deal. Since the arrest of most of ETA's top tier in a series of joint counterterrorist operations by France and Spain over the past decade, control may have passed to a generation of younger leaders who may be radical--or just plain inexperienced--enough to commit an atrocity like last week's train attacks in Madrid. A report on trends in terrorism published in December 2002 by the Council...
...based services written by and for Harvard students have sprouted up over the past year and spammed my inbox with explanations of why theirs is the tool I can’t possibly live or work here without. While the sites run the gamut in terms of style and scope, they can be roughly categorized according to their intended function...
...mentioning that his great rival Laurence Olivier, for instance, had extramarital affairs with actresses Peggy Ashcroft and Dorothy Tutin, and relates a tale about Alec Guinness on a rack in a dominatrix's dungeon. But there is far more to the book, and to Gielgud, than dish. The scope of his life was epic; he lived from 1904 until 2000, working almost to the end - his last major film...
...have won the Oscar for his evocative vision of a treacherously seductive Hollywood, where amidst the magazine-gloss sheen, two people who seek moral truths are engulfed in the process. Lynch concocts an enveloping sense of foreboding, lingering his camera even as the characters have moved well beyond the scope of the frame. The film’s emotional weight seems almost secondary to unraveling its Mobius strip plot, but repeated viewings uncover a tremendous gravitas in Naomi Watt’s alternately enchanting and harrowing performance. Tickets $7.50. 7 p.m. Brattle Theatre...