Word: score
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Dates: during 1960-1969
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...meet progressed, the score mounted steadily against the Crimson. Shrout, the Harvard record holder, finished third in the 100 free. Corris, lost the breaststroke for the first time in three years at Harvard, when he tired slightly on the last lap and the Indian's Mike Harvey touched...
...Mandac as Clorinda all sang excellently, although some of Miss Mandac's entrances were a little breathy (possibly because she had to sing them while dying). The instrumentalists (string quartet, double bass and harpsichord) under the direction of Luciano Berio put life and warmth into a potentially very dull score...
...performance, as she passed from a small chair to a prison cell, a drab bedroom and, finally, a huge bare, rehearsal stage, she movingly conveyed everything from lyrical calm to the hopeless despair which reduced her by the end to shouting "Go away!" at the entire theatre. Berio's score creating exactly the right atmosphere of darkness, supporting Miss Mandac's more lyrical lines with subdued moans and becoming thick and black in combination with the choruses' threatening noises. Berio's attempt to involve the audience in the action by extending it into the house was as nearly successful...
Northeastern scored a 5-4 upset victory over the Harvard hockey team before 1700 people at Watson Rink Saturday night, reversing the overtime score of the teams' first meeting. As in the Christmas Tournament, the Huskies took advantage of the Crimson's listlessness to build a 4-2 lead after two periods. But this time, Northeastern added a third-period marker to make Harvard's comeback bid fall short...
...concertino (three winds, four strings) that Carter likens to "Job's friends, who sympathize and comment." After one final free-for-all, the concerto ended with a quiet, reflective passage by the piano, signifying, says Carter, "the alienation of the individual from the misguided mass." The score rumbled and shook and shouted in constantly shifting tempos and atonalities and astonishingly original-and difficult -rhythms. Most striking was Carter's technique of "swamping"-building thick, eerie clouds of sound by simultaneously intertwining dozens of musical strands...