Word: score
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Dates: during 1960-1969
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...into success. Jerry Orbach is splendid as the tall, gangling antihero, and Marian Mercer turns in the acting gem of the evening as an amorous alcoholic pickup. But the comic tone of Neil Simon's book is bland rather than pithy, and the songs of the Burt Bacharach score are for the most part interchangeably tuneless...
SYMPHONY NO. 6, SIR JOHN BARBIROLLI AND THE NEW PHILHARMONIA ORCHESTRA (Angel, two LPs). The tragic beauty and power of this score can scarcely be matched anywhere. "It is the sum of all the suffering I have been compelled to endure at the hands of life," said Mahler. Barbirolli drains every ounce of Angst from the music, and the recording itself is superbly engineered...
OLIVER! A gleaming, steaming, rum plum pudding of a musical. Dickens' sociological sting is gone, but in its place is a Christmas package of breathtaking sets, period costumes, and a full-throated, joyous score by Lionel Bart. Best of a twinkling cast are Ron Moody as Fagin and a Toby jug of a boy named Jack Wild as The Artful Dodger...
...Baptist university was virtually bankrupt. He mounted an emergency fund-raising campaign that eventually allowed him to double faculty salaries. Full professors now earn up to $14,000, which is in line with faculty salaries at most private white colleges. Following his conviction that Negro applicants who score low on white-oriented aptitude tests are not necessarily unfit for college, he has relaxed entrance requirements, abandoned rigid grading and allowed students to proceed at their own pace, graduating in anywhere from three to six years. When critics suggest that he is indulging in "bargain basement" education, Cheek retorts...
...swirl of capes and costumes, balloons and special effects, the Potts come to the rescue, triumphing over twin evils: the baron and the score. Written by Robert and Richard Sherman (Mary Poppins), the eleven songs have all the rich melodic variety of an automobile horn. Persistent syncopation and some breathless choreography partly redeem it, but most of the film's sporadic success is due to Director Ken Hughes's fantasy scenes, which make up in imagination what they lack in technical facility. Next to Tiny Tim's hallowed remark, the holiday season's most overworked phrase...