Word: scored
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Dates: during 1930-1939
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...Race, Composer Still's newest work purports to "point musically to changes wrought in a people through the progressive and transmuting spirit of America." Its four movements are labeled "Yearning," "Sorrow," "Humor" and "Aspiration." Pleasantly sentimental in the moments when it was not jazzy, the score was more impressive in its clear professional instrumentation (Composer Still once orchestrated for Paul Whiteman) than through its intrinsic musical qualities. Minus its jazz content it might possibly have been a better symphony; minus its symphonic pretensions, its jazz moments would certainly have been better jazz...
Schumann's score had actually never been lost at all. The romantic, mentally ailing composer had left the concerto to Violinist Joseph Joachim, whose will consigned it to remain unheard until the 100th anniversary of Schumann's death (TIME, Aug. 23). (Joachim considered the concerto not up to snuff.) Since 1907 the concerto had rested securely in the archives of Berlin's Prussian State Library, where its existence had been well known to scholars and had been noted in dozens of bibliographies and musical dictionaries. Last April, German Music Publisher Wilhelm Strecker sent photostats of the original...
Starting fast the Feslermen worked the ball in close under the enemy basket with Lowman converting on a pass from Charlie Lutz. With rapid breaks the Varsity increased their lead by short shots until the score stood 19-7 after less than ten minutes of play...
When Monahan replaced Summers in the Belmont not after the third tally, the Yardlings were unable to score again until the middle of the third period. Monahan came up with four or five brilliant saves, but for the most part had an easy time repulsing the Yardlings' attack which failed to function effectively. With the schoolboys tiring in the third period, Coach Hodder's team ran its total to five...
...Score:--Harvard 5, Belmont Hill...