Word: scorelied
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
...song score for the new musical gleams with the gilt-edged Porter signet. The author of You're the Top-which inspired a sort of national cult of memorizers and parodists in 1934-always turns out lyrics that are distinctly his own. They brim with stylish grace and colloquial impudence, real comic invention, multisyllabic rhymes, innuendoes about I'amour, digs at social foibles, and easy allusions to famous people and far-off places...
...Kiss Me, Kate, Porter's score blends several styles to harmonize with a play-within-a-play about a production of Shakespeare's The Taming of the Shrew. He has ranged from comic ditties and Broadway torch ballads to songs in the rich, tuneful manner of Italian light opera, to match the Paduan setting of The Shrew. Several take their titles, and the flavor of their lyrical development, from the play's Elizabethan verse. The New York Times's Brooks Atkinson solemnly declared that I Hate Men is "the perfect musical sublimation of Shakespeare...
...once took singing lessons to help "place" his voice, which he has described as unpleasant. To see that justice was done his work, he spent hours last week hovering over Columbia recording sessions at which the orchestra and principals of Kiss Me, Kate worked on an album of the score. (One of his favorite performers is Ethel Merman, who has played in some of his biggest hits, Anything Goes, Du Barry Was a Lady, Something for the Boys, because, as she puts it, "I can boff out those lines the way he wants them.") New singers know better than...
...accident, which Porter seldom mentions and never complains about, has made him seem a more serious man than he once was. He is already at work on a score for a new show that Subber & Ayers plan for next fall; this week he leaves for Hollywood to help cast a second company of Kiss Me, Kate, which may turn out to be the biggest smash of his career...
Married. William Turner Walton, 46, British composer (Belshazzar's Feast and the musical score for Olivier's Henry V and Hamlet); and Susana Gil de Passo, 22, daughter of an Argentine lawyer; in a religious ceremony five weeks after a civil ceremony; in Buenos Aires...