Word: scores
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Dates: during 1960-1969
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...more than fourth place Jimmy Wright. Floyd really won the P.G.A. with his booming, if sometimes errant drives, and with his beautifully wrought iron play. He hit 59 greens in par, compared with Player's 53. There was another ingredient in Floyd's winning eight-under-par score of 276: self-assurance. "I feel superb," he said midway through the tournament. "I just don't see how I can shoot over par." After the match, he admitted: "Confidence is the key to my game. I would have no business being out there if I were not good...
...critics had grounds for apprehension - but on quite another score. They were gathered for the American premiere of Krzysztof Penderecki's The Devils of Loudun by the Santa Fe Opera, a troupe known for its firm (and rare) conviction that contemporary opera deserves a place right alongside the old favorites. The Devils is a highly unorthodox piece of music. At earlier performances this summer in Hamburg and Stuttgart, it had been greeted with as many pans as praises (TIME, July 4). Santa Fe once more was sho ing its devil-may-care spirit in risking, along with the tried...
...characters shouted "God is dead!" there came a clap of thunder and a storm enveloped the theater. The audience was as impressed by the opera as by the incident. But despite its effectiveness, The Devils seemed episodic, eclectic, and the complex Penderecki (pronounced Pen-der-ete-key) score sometimes trod meekly behind the drama instead of forcefully alongside it. What gave absolutely no grounds for complaint were the performances of Baritone John Rear don and Mezzo-Soprano Joy Davidson. As a sensual priest who is burned at the stake, Reardon in particular gave the production just the sort of personal...
Bridge Tournament Individual Winners Score Prize 1. Huntley Dent 62.1% $10 2. Mary White 61.2% $ 8 3. Steve Klein 57.3% $ 6 4. Gopal Krishna 56.6% $ 4 Team Winners Score Prize 1. White--White 63% $10 ea. 2. Kubarych--Kubarych 61.6% $ 8 ea. 3. Stevenson--Jost 60.8% $ 6 ea. 4. Moxey--Marel...
Perhaps the biggest surprise was Silvio Varviso, the Swiss conductor, who has had only modest success during his Metropolitan Opera performances. Jolted into inspiration by Everding's forceful approach, he evoked from Wagner's score its powerful suggestions of the Ring to come...