Word: scores
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Dates: during 1960-1969
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...psychological advantage of the one goal can seldom change a series' outcome, but it makes for a delicate balance in individual games. In one of Montreal's single goal victories over St. Louis last year, Canadien goalie Gump Worsley deflected a sure St. Louis score with the wrong end of his stick after slippling in front of the net and broke St. Louis' rally late in the game...
Cabaret--This musical about the degeneration of German society just before Hitler came to power is a heady production emblazoned in the tones of Kurt Weill and George Grosz. Most of the original cast is gone, but the Kander-Ebb score, the Boris Aaronson sets, and Harold Prince's direction--all miraculous--are still there. So is Lotte Lenya, who is as beautiful and gravel-voiced as ever. At the BROADWAY, Broadway at 53rd...
Hair--A hippie "Hellzapoppin" with a lot of spirit and a nice score firmly based in the vocabulary of early rock. Only when the authors try too hard to explain to our parents what the new culture is all about do things become a little thick. Tom O'Horgan is the director, and the nice cast includes Barry McGuire and the nice Heather MacRae. At the BILTMORE, W. 47th...
Peace--A satire on war taken from the Aristophanes play. Funny and with a nice score by a very different theatrical song writer, Al Carmines. At the ASTOR PLACE THEATRE, 434 Lafayette...
Zorba--A great serious musical about living, loving, suffering and dying. John Kander and Fred Ebb wrote the immensely theatrical score; Joseph Stein did the adaptation from the Kazantzakis novel; and producer director Harold Prince tied it all together with a finesse the likes of which have not been seen since Jerome Robbins' heyday. Herschel Bernardi is the man of Crete and Maria Karnilova is his French lady friend. They have a strong assist from gutsy-voiced Lorraine Serabian, who heads a Greek chorus. At the IMPERIAL, W. 45th...