Word: scores
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Dates: during 1990-1999
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...into the second period on a UNH power play. Shewchuk forced the puck out of the defensive zone, giving her linemates a two-on-one breakaway, shorthanded. Francisco walked the puck down the right wing and hit Botterill as she skated into the slot for the uncontested score...
Those two early scores turned out to be the difference, as Harvard outshot UNH 24-22 and won by a two-goal margin. In the final 40 minutes, Huggon allowed only one goal--Botterill's shorthanded score on the breakaway--and made 15 saves to keep her team in the game. But the damage had been done in the first period, and the Crimson gave Kuusisto enough support in the defensive zone to maintain the lead...
...both, taking third at the Ivy Classic and first this past weekend. His run on Saturday began with a technical fall at 5:29 in the match, followed by a pair of wins over Aaron Gilson of University of North Carolina and Eric Narkiewicz of Penn State with scores of 3-2 and 6-0, respectively. Odom won the semis with a major decision score of 14-4 over Blair's Joe Barchetto before going on to pin opponent Harley Anderson from Penn State at 3:53 to take the championship...
Killar, in his first tournament of the season, had no trouble getting back into the groove as he just continued his winning ways of last year. He pinned two of his five opponents and did not allow the final score to have a margin smaller than five. Wasting little time, Killar took down his first round and quarterfinals opponents, Ben Brenneman of East Stroudsburg and Greg Francesca of University of Virginia, in just 1:59. He also had two major decision victories, a 13-1 defeat of Lehigh's Warren Stout and a 12-0 win over Penn State...
...Hoskins) is a caterer with an eye, and a knife, for the ladies. In this sort-of comedy about a serial killer and his next intended, the only thing pushing the plot is relentless coincidence--a movie this implausible shouldn't be this dull--and a very aggressive score that tells you what you would have felt if the film (from the director of The Sweet Hereafter) had been made with more passion and craft. Only Hoskins rises above the dankness. His malevolence is fastidious, wistful; he's a sadist with a schoolboy's heart...