Word: scoring
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Dates: during 1940-1949
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...must keep Berlin unified, within a united Germany." This was little less than Berlin's German Mayor calling on the Russians to stop strangling the capital. The two Russian officers showed their unconcern-one by strolling out, the other by reading a newspaper. The assembly (all but the score of S.E.D. Communists) applauded...
...rehearsal was over; the guest conductor stepped down from the podium. Said Maestro Toscanini, who had been sitting quietly in a back seat scrutinizing the score: "Now! That man really knows how to play that music ... I play it like a pig!" The little knot of courtiers around Toscanini hastened to assure him that it wasn't so. The old man turned on them with one of his sudden, unpredictable thunderclaps: "Oh, so you think I don't know music?" As he marched off he sputtered: "The trouble with all of you is-you have all been poisoned...
...ever had to beg Toscanini to play for charity-although he has refused to play for dictators. And he venerates Verdi above all other composers. For the past two months he has been teaching Verdi's score to his soloists. In his long, low-ceiling dressing room on the eighth floor of the RCA Building, he has sat at the piano, croaking and gesticulating at red-haired Soprano Herva Nelli, while a picture of Verdi stared at her from the piano's littered top. "Nelli," he pleaded, "please do use the expression on your face that you feel...
...audience settled down to enjoy at least a good laugh. This little scarecrow figure who closed the score before he started to play looked as if he might furnish some fun. But by the end of Act I, they were on their feet, cheering. At 19, Arturo Toscanini had won his first ovation as a conductor...
...answer is that there is much more to conducting than just keeping time; though even keeping time in a complicated score isn't always easy. At any given moment the flute player or the violinist is concerned only with his own note, which the conductor must blend-in time and volume-with the playing of 100 others. And while concentrating on the notes being played at any given moment, the conductor must also have one part of his mind listening to the entire piece. He must be on guard not to exhaust prematurely, in a too early climax...