Word: scoring
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Dates: during 1970-1979
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...second day of competition in the Division II meet (for colleges with under 3,000 women) added 60 points to Harvard's score, bringing the total to 113, while freshman Liz Kelly broke yet another national division record...
...first Loeb Mainstage production of the semester is the quintessential late '60s musical, with the large added bonus of a brilliant score by Stephen Sondheim. Company is the story of a single man among his married friends, and his shifting feelings about the value of marriage. Paris Barclay's crew is a bit uneven, but all the leads can sing, which is all that a musical really requires. A must for Sondheim freaks--and since there are so many of the, you'd better get your tickets in advance. Tonight, tomorrow and Saturday...
...took the ice for the third period with score tied at 2 apiece but UNH's Bruce Chowder put his team up at 0:21 on a power play goal. Bill O'Neill, who came into the contest with only two goals on the year, doubled his output with two tallies less than two minutes apart...
...other surprise came as Clarkson came up on the short end of a 6-2 upset defeat on its home ice in Potsdam, N.Y. at the hands of Brown. Bruin goalie Mike Laycock excelled with 32 saves and enjoyed good offensive support, as six teammates each notched a score...
Extensive improvisation by the pianist in any work invariably excites the audience and lets the soloist show off his virtuosity. Usually, rampant arpeggios and endless trills are well integrated into any piano piece and, in the case of a concerto, into the orchestral score. However, the pianist must also attempt to keep these improvisations in the context of the whole work rather than display them simply as a showpiece. Kogan succeeded in this regard Saturday in his performance of Saint-Saens's Second Piano Concerto. He handled the difficult solo parts of the work with consummate ease and sensitivity...