Word: scoring
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Dates: during 2010-2019
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...Huskies responded by taking the lead in the bottom of the first, when sophomore Matt Miller doubled to center field and was tripled in by senior David Gustafon. Gustafon would later score on an RBI groundout...
...Scottish reel and a Spanish fandango. His delight turned to dismay when she revealed her trick and ran from the workshop hand-in-hand with Frantz. It is in this second act that Léo Delibes is truly distinguished as a dancer’s composer. His symphonic score faithfully highlights the ballet’s plotline while drawing upon national themes and adding whimsical sound effects to hold the attention of the audience. Though conducting for ballet is notoriously difficult, Maestro Jonathon McPhee skillfully led the Boston Ballet Orchestra while paying close attention to the dancers...
...writing the score to a musical adaptation of “Bring It On” with Tom Kitt, who wrote “Next to Normal” and did the orchestrations for the upcoming “American Idiot.” I’m working on the movie adaptation of “Heights,” on a hip-hop album about Alexander Hamilton, and I’m working on an animated musical for DreamWorks...
...movie opens with footage of a grizzled Morrison on a deserted highway, presumably on a road trip, with radio coverage of his death serving as the score. The juxtaposition is confusing and haunting, and an appropriate introduction to the story of such a complex man and his band...
Morrison’s self-described “music for the different and the uninvited” serves as a perfect score to the story of his life. DiCillo does a great job of including both hits and lesser-known songs when appropriate. It is especially poignant to hear Morrison croon “The End” as images of other fallen legends, including Janis Joplin and Jimi Hendrix, drift across the screen...