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...actually owning that object once you get the discount. We strive to get that deal, but we tend to devalue the object after we purchase it. For many things, the biggest charge we get is that transaction itself. Retailers and marketers strive to make us think we are scoring good deals. They make you think that you're special because you've been able to score this deal. But you need to think, really: Why are you so smart that you're not paying the so-called full price? And in fact you need to look carefully, because many times...

Author: /time Magazine | Title: What Cheap Stuff Really Costs Us | 7/2/2009 | See Source »

...were commissioned to write the score to an Othello ballet. How did you approach a process like that...

Author: /time Magazine | Title: Composer Elliot Goldenthal | 7/1/2009 | See Source »

From Broadway to the dance stage, opera hall and movie screen, Elliot Goldenthal has proved himself one of the most versatile composers of his generation. In 1995, he adapted Shakespeare's Othello as a ballet. In 2003, he won an Academy Award for his score to Frida. In 2006, he was named a Pulitzer Prize finalist for his original three-act opera Grendel, which premiered at the Los Angeles Opera. And on July 1, he makes his return to the big screen with a score for Michael Mann's Public Enemies. Goldenthal spoke to TIME about the compositional challenges...

Author: /time Magazine | Title: Composer Elliot Goldenthal | 7/1/2009 | See Source »

...Given how many gangster films turn into thrillers and joyrides, I was surprised by how restrained some of this music was. (Click on the audio player at left to hear clips of the score in TIME's podcast.) Does that tie back to what you called these "stark" times...

Author: /time Magazine | Title: Composer Elliot Goldenthal | 7/1/2009 | See Source »

...other thing, dramatically, that affects the music: Dillinger was from the old school, and he came up against organized crime, which made more money on the numbers racket in a minute than they could have made on a great score on a bank. So there was a collision there between Dillinger and the type of criminals that didn't want to be really noticed as they were raking in the money. That affects the music as well - organized versus off-kilter...

Author: /time Magazine | Title: Composer Elliot Goldenthal | 7/1/2009 | See Source »

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