Word: scornful
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...when he steps into the spotlight and throws a nightlong temper tantrum, the dramatic results are explosively and corrosively alive. Whether it be Jimmy Porter (Look Back in Anger), or Archie Rice (The Entertainer), or Bill Maitland (Inadmissible Evidence), Osborne's personal mouthpiece always screams out his rage, scorn, self-pity and impotence so that an audience is held in a vise of attention. What Osborne has been able to find in himself is an astonishingly concrete symbol of the times. As Mary McCarthy once noted, "Although Osborne is no thinker, he understands the present very well, which...
Osborne's constant concerns are present-male camaraderie, an outcast's attempt to crash a caste system, scorn for a decadent elite-but in A Patriot for Me, they appear like footnotes on a blank page. History may be his favorite reading, but drama is no pastime art. Osborne's dramatic destiny is clear, demanding and inescapable. He alone can and must be the life of his plays...
Personally, most Greek shipping men scorn the sybaritic life, preferring to live in.a quietly sumptuous style. They shuttle among offices and residences in several countries, unnoticed except by their captains (whom they instruct to call them at any hour of the night if a problem arises). Lemos, for example, maintains his principal office in London, owns a penthouse in Athens and a home in Rye, N.Y., and has permanent suites at Claridge's in London and the Lausanne Palace. Most of the shipowners return to their home islands for summer vacations. When all the clans gather on Inoussai...
Cribbing or Research? Back in France, the narrative that Maziere created out of his far-flung findings has become an astonishing bestseller (some 230,000 copies). But Maziere drew the rage and scorn of some experts who accused him of everything from gross over-popularization to out-and-out plagiarism. In fact, it is clear upon examination of the texts that Maziere has clearly borrowed large chunks, word for word, from Father Englert...
...violence filled world of the lower classes. The allure of a cabaret singer (Marlene Dietrich) leads Professor Rat (Emil Jannings) from the comfortable, orderly existence and, to complete the Expressionist myth as practiced in German movies, subverts his normal conduct until he becomes an object of the townpeople's scorn. The economic theme in this plot, closely related to the real and feared decline of the German middle classes in the 20's, satisfyingly gives American film critics one of the few social facts in their consciousness. No wonder they include they include Josef von Sternberg's first sound film...