Word: scornful
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Wiggle Watching. Hanoi was not sure that Lodge would be any more pliable than Averell Harriman-or any less. Reacting with scorn, North Viet Nam's army newspaper Quan Doi Nhan Dan broke out in doggerel: "Which of the two has the more weathered skin,/ The man going out or the man coming in?" To Quan Doi, Lodge is "doomed to follow in the footsteps/Of Nixon the elephant/And feed on his leavings...
...legend of Lylah Clare was met by complete critical indifference and/or scorn and generally written off as a disaster. Well, film critics don't know anything about anything, as everyone knows, and Robert Aldrich has (perhaps inadvertently) put together a sensational picture. Lest potential Aldrich cultists get their hopes up unduly, his recent Killing of Sister George turned out truly mediocre, the same restless cutting that compels in Lylah Clare working against him in Sister George. Aldrich is a heavy-handed man, and Lylah Clare deals in heavy-handed mysticism, heavy-handed acting stylization, heavy-handed melodrama, heavy-handed tragedy...
...years have been a scattered and forlorn people, possessing neither a country nor any say in the harsh events profoundly affecting them. Dispossessed of their homes, lands and sense of nationhood when Israel was founded in 1948, they dispersed throughout the Middle East. They endured the scorn of their host populations toward outsiders, although the most skilled and educated came to dominate many areas of Arab intellectual and commercial life. Those that did not assimilate settled in crowded camps, mostly in Jordan and the Gaza Strip, where they lived a miserable, subsistence life, fed by the United Nations Relief...
...stating one's convictions and opinions. For this, he was terribly hated by those who believe that people exist to create a backdrop for leaders, to applaud and shout 'hurrah' for them, to believe in them blindly, to pray for them, to endure without murmur all scorn of them selves and to quack with pleasure when into his trough they pour more and richer fodder than into the other troughs...
...rehearsal, he is one plain musician talking to others. He may interrupt the music to say, "Take some of that color out of the A flat," or "Make this more crescendo." But he never indulges in exhibitionism or talkfests, which often earn other conductors only the scorn of their players. At a concert, he makes few flourishes in the direction of the audience. "I have no patience," he says, "with those conductors who, though their backs are physically turned to the spectators, spiritually face the ticketholders in an expressionist dance which has nothing to do with how the music ultimately...