Word: scottã
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...None of Cutmore-Scott??s energetic rants were singularly revolutionary or mind-blowing. Much like Carrie Bradshaw’s columns, they were simply fun and insightful observations about everyday aspects of everyday college life—snippets that could be taken out of any dining hall conversation, really...
...such “cutesy” scene, a disruptive student annoyed a group of studiers around a table in the library. The scene froze and ostensibly moved into Cutmore-Scott??s conscience, as he got up and pulled a gun on the disruptive student, then sat back down before the scene unfroze...
...example: In one scene, another unnamed student (Sophie C. Kargman ’08) wants to get the attention of Cutmore-Scott??s character, with whom she is sharing a bench. She ends up informing him that Oreos cause cancer, spitting her gum into his hand as he looks on with astonishment, and eating all his chips. Nonetheless, the scene ends with Cutmore-Scott agreeing to come to a party she’s hosting. The result was an awkward situation that was, brilliantly, both believable and exaggerated at the same time...
...Unlike Bradshaw’s columns, Cutmore-Scott??s rants were not delivered in whimsical, “what’s-a-girl-to-do” tones of enlightenment and bewilderment. And unlike Carrie Bradshaw’s columns, they weren’t illustrated by scenes that seemed to eventually meld into one big theme. Instead, the case studies that comprised each scene were delightfully nuanced, and delivered in a fast-paced current that was sharp in both wit and energy...
...ambitiously written and directed this year’s first original play, “Fall,” in which he will also play its leading role. Conceived in the early months of last semester, “Fall” takes its name from Cutmore-Scott??s first term at Harvard. In particular, the comedic play centers on his experience as a displaced Londoner in an American university, and emphasizes the unique aspects of Harvard life that students often think of as normal, such as the frenzied pace of life or the compulsion for underage binge...