Word: scott
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...Produced by Charles A. Tremblay ’10 and Elsa A. Paparemborde ’10, and directed by J. Jack Cutmore-Scott ’10, with a original script by Cutmore-Scott and co-writer Robert E.T. Tainsh ’10, “Fall” was a dynamic and kinetic play that was as engaging as it was thought-provoking. Life philosophy, social commentary, and jabs at Harvard were on the menu, all seasoned with cute—but not too cute—wit and fantastic acting...
...impressive as the play itself is Cutmore-Scott, who brings the idea of a “Renaissance Man” back into the 21st century. He wrote, directed, and even acted in the show. On top of all that, he’s a freshman. It’s a virtually unheard-of feat for a freshman to both write and direct an HRDC play...
...plot of “Fall” might have seemed eerily familiar to more than a few audience members: an unnamed British international student (Cutmore-Scott), arrives at Harvard as a freshman and finds himself quickly launched into the careening rush of academic and social life in Cambridge. Autobiographical? Possibly, but it didn’t matter, because “Fall” left me with the impression that I was looking at my own life, albeit through a lens that has been simultaneously polished and warped...
...attention of Cutmore-Scott’s character, with whom she is sharing a bench. She ends up informing him that Oreos cause cancer, spitting her gum into his hand as he looks on with astonishment, and eating all his chips. Nonetheless, the scene ends with Cutmore-Scott agreeing to come to a party she’s hosting. The result was an awkward situation that was, brilliantly, both believable and exaggerated at the same time...
...play was structured in a back-and-forth sequence that alternated between philosophical monologues by Cutmore-Scott and illustrative scenes enacted by a highly versatile four-member cast that included Cutmore-Scott, Kargman, Simon J. Williams ’09, and Zachary B.S. Sniderman ’09. The monologues and scenes paired up in case-studies, “Sex and the City”-style, that covered topics ranging from stressful Harvard academia and romantic issues with an archetypal ex to final clubs and the masculine image...