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...that a star dancer (the gorgeous Fredi Washington) is feeling ill before she goes on for a fatal final number. Fred Waller directed Ellington's Symphony in Black: A Rhapsody of Negro Life (1934) with artful lighting of black laborers, and moody shadows caressing the young Billie Holiday. Aubrey Scotto set most of A Rhapsody in Black and Blue (1932) in a cleaning man's dream kingdom, Jazzmania, where Armstrong scats among soap bubbles and disappears into a whirlpool of multiple exposures...

Author: /time Magazine | Title: CINEMA: MAKERS OF MELODY | 7/28/1997 | See Source »

...Scotto could be the D.W. Griffith of musical shorts, not so much for his story-telling vigor as for his love of racial stereotypes. He bedecks Armstrong in a leopard-skin tunic, harem pants and body glitter; he urges his black actors to grimace grotesquely and gives them fearful patois to spout ("I run until I's black in de face," says a man fleeing a Latin American revolt in the 1931 Be Like Me). He was not alone in caricaturing African Americans. Crosby, whose crooner inflections owed much to black musicians, wears blackface in the 1932 Dream House...

Author: /time Magazine | Title: CINEMA: MAKERS OF MELODY | 7/28/1997 | See Source »

...spectacular (Irish actor Barry McGovern in I'll Go On, a mordant one-man show derived from three novels by Samuel Beckett) to the mediocre (Hans Werner Henze's tired exercise in late-'50s avant-gardism, Der Prinz von Homburg) to the risible (the washed-up soprano Renata Scotto singing the role of the Marschallin in Richard Strauss's opera Der Rosenkavalier). Still, Spoleto seems on course to become one of the nation's most important and enjoyable arts events...

Author: /time Magazine | Title: FESTIVALS: CAROLINA'S GRAND NEW OPRY | 6/12/1995 | See Source »

...played the title role in Puccini's Madama Butterfly every year since she was 19 years old. Inevitably, Soprano Renata Scotto has developed some strong ideas about the role. Now she has a chance to test them: next month, in a revived production of Butterfly, Scotto will become the first diva ever to direct herself at the Met. "I'm really looking forward to seeing the role from another perspective," she admits. There is a disadvantage to wearing two hats, of course. "I'm used to relaxing in the dressing room when I'm not in rehearsals, or during...

Author: /time Magazine | Title: People: Aug. 25, 1986 | 8/25/1986 | See Source »

...Renata Scotto, 49, opera singer whose husband Lorenzo Anselmi abandoned his work as a violinist after they were married 24 years ago: "The biggest decision a man can make is to give up his own career to dedicate himself to his wife...

Author: /time Magazine | Title: People: Oct. 29, 1984 | 10/29/1984 | See Source »

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