Word: scotto
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PUCCINI: MADAMA BUTTERFLY (Angel). Although nicknamed "Madama Butterball" by her more pernickety listeners, Renata Scotto still does her best to fulfill the image of the 15-year-old Japanese teenager, and has successfully made the role one of her specialties. Her rather metallic intonations are warmed by the richness of Rolando Panerai's baritone and Carlo Bergonzi's tenor, while Conductor Sir John Barbirolli exposes enough colors in the opera's palette to prove that it may not be so smart to sneer at Puccini's musicality...
...dividends, the two-bit Gallo and Profaci mobs cannot even afford to fix the cops. Tough Tony Anastasio, the stevedore Caesar who ruled the waterfront for a generation before he died in 1963, has been succeeded by a Ciceronic son-in-law, Brooklyn College Graduate Anthony-never Tony-Scotto...
...make little effort to attract luminous young men. Salaries are low, advancement slow. Young talents who are drawn to union careers for ideological reasons often quit in frustration. There are, of course, some exceptions. The boss of a big Longshoremen's local in Brooklyn is college-trained Anthony Scotto, 30. He is a special case: he was hand-picked by the late Tony Anastasio, who happened to be his father-in-law. And one of the fastest-rising men in the Ladies' Garment Workers is Dave Dubinsky's son-in-law Shelley Appleton, 45. Obviously...
...difficult to discuss Fanny in anything but theatrical terms. Filmed in 1932 from Pagnol's play, which was produced the winter before in Paris, Fanny subordinates everything technical to the story, and employs no particularly startling use of camera or sound. Vincent Scotto's music is unobtrusive and appropriate. The film's beauty rests in the simplicity of its plot, and in its sensitive character sketches...
...Jofroi, a prewar Pagnol comedy based on a story by Jean Giono, proves the brightest thing in the package. Jofroi (well played by Vincent Scotto) is a hidebound old peasant, suspicious, ignorant and proud. The old man sells his orchard to his neighbor, Fonse (Henri Poupon), then pulls a gun when he sees Fonse uprooting precious trees. When the village priest forces a compromise that will give Fonse the orchard after Jofroi dies, the old man announces that he will commit suicide to put his death on Fonse's conscience. After some 30 suicide attempts, he intimidates Fonse into...