Word: scotty
(lookup in dictionary)
(lookup stats)
Dates: during 1930-1939
Sort By: most recent first
(reverse)
...story seemed sound enough, but in its time We, the People has been hoaxed roundly, mostly before Young & Rubican now the producers, set up their elaborate checking system. Scooty was a Scotti dog, wrote a lady from Elgin, Ill., which she had come upon accompanying a tin cripple named Tim, hobbling toward Philadelphia to stay with a hardhearted aunt who didn't like dogs. The woman wrote that she had taken the dog, promising to give him a good home. Now Scooty knew a few tricks, and she was sure the aunt would let tiny Tim take him back...
...wanted a big chance; she refused, went to Europe to continue her studies. At 19 she was already an admired figure in European opera. At the Metropolitan, when she returned famous, she rubbed arias for 16 consecutive seasons with such famed songsters as the late Enrico Caruso and Antonio Scotti, she sang some 29 roles, played the most famous of them, Madame Butterfly, nearly 100 times in Manhattan alone...
...week a genuine revival finally did appear. Verdi's Otello, one of his last and greatest works, had not been seen & heard at the Opera House since the days when Toscanini conducted and principal roles were taken by dashing Leo Slezak, gossipy Frances Alda and drama-wise Antonio Scotti...
...obituary column of a Naples newspaper a few paid lines last week published a fact that spread sadness throughout the operatic world. Antonio Scotti was dead at 70, a victim of arteriosclerosis. Headlines and footlights had been his for nearly half a century. Death came to him when he was alone in a Naples hospital, after having lived for months in poverty, dependent on occasional contributions sent by U. S. friends...
...When Scotti announced his retirement from the Metropolitan Opera Company three years ago, Manhattan newspapers devoted columns to his proud career, his intelligent use of a voice that was never booming, his subtle impersonations of such villains as Iago in Otello, Chim-Fen in L'Oracolo, Scarpia in Tosca (TIME, Jan. 30, 1933). When he sang his farewell performance a great audience cheered, wept, sang For He's a Jolly Good Fellow. When he died in Naples last week there were only four mourners to follow him to his grave...