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Technology has a way of re-enacting poetry. West Germany is currently considering a network of Autobahnen im Dunkeln, or highways in the dark: huge subterranean pipelines that will carry industrial waste and scrap to the coast, dump them into the ocean and form new land. "Under green fields, under our feet," writes an awed British journalist, "the thick current of Germany's yesterday will creep endlessly down to the sea." The scheme is symbolic of contemporary Germany; for 20 years, its people have sought to eliminate the rubbish of their past and build anew...

Author: /time Magazine | Title: Essay: THE GERMAN AWAKENING | 6/4/1965 | See Source »

...briefly onto old U.S. 1 for a glimpse of roadside blight-junkyards, billboards and used-car lots. Whitton commended owners of automobile junkyards, which he called "disassembling yards," who have tried to screen the rusting hulks from passing motorists; the Department of Commerce counts 17,760 auto graveyards and scrap heaps lining the country's main roads...

Author: /time Magazine | Title: Nation: A Chance to Roam | 5/21/1965 | See Source »

Tied up alongside a pier on the Wilmington river front, the 728-ft. battle ship U.S.S. North Carolina by day looks like just another battleship saved from the scrap heap to serve as a war memorial. But at night she comes alive...

Author: /time Magazine | Title: Spectacles: Vivid Ghost | 5/21/1965 | See Source »

Felicia Lamport lives in Cambridge. She has published Scrap Irony, a volume of light verse, and Mink on Weekdays, an account of her childhood in New York. Some of the pieces below have appeared in Harper's and McCall's, and will be included in another book of verse to be published soon by Houghton-Mifflin...

Author: By Felicia Lamport, | Title: Political Clinkers and Cultural Slag | 5/6/1965 | See Source »

...difference is that Writer-Director Don Owen, a gifted 30-year-old Canadian, approaches his rusty theme the way a junk sculptor approaches a scrap heap-with zest and spirit and an evergreen appetite for discovery. Improvising action and dialogue, Owen achieves a cinema of spontaneity. His film is choked with words, yet the words effectively express the jumpy, inarticulate restlessness of youth...

Author: /time Magazine | Title: Cinema: Upstream in Toronto | 4/30/1965 | See Source »

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