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Berkeley’s voice resembles Nick Drake, while Weinstein’s voice is scratchier and reminiscent of Tom Waits. Whereas Berkeley’s richly textured songs throw together mandolin and cello, Weinstein takes more influences from jazz; Norah Jones even sings a track on his first album. Both say they got lyrical inspiration from the people they met and the classes they took at Harvard...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Harvard Graduates Play Folk Mecca Club Passim | 2/7/2003 | See Source »

...impressionistic paean celebrated "the superficial truth of streets and structures, the trivial truth of reality." Subsequent early stories offered the kind of warming uplift that a Depression-stricken nation wanted to hear. But there was a scratchier side to this earthy romanticism. In 1940 the playwright rejected a Pulitzer Prize for the Broadway hit The Time of Your Life on the grounds that business could not judge art. As a Hollywood scenarist he squabbled with studio heads and cut a raffish, boisterous figure Gambling and drinking contributed to the breakup of his marriage and the decline of his fortunes...

Author: /time Magazine | Title: Theater: Hello Out There | 6/1/1981 | See Source »

...called "Golden Age" at $3.50 a disc (with gold labels). Pressed from musty masters are Soprano Frances Alda's gracefully sung Willow Song and Ave Maria from Otello (recorded in 1910) and Baritone Mario Ancona's Eri tu from The Masked Ball (1907). Even scratchier is Luisa Tetrazzini's carelessly sung Voi che sapete from The Marriage of Figaro (1908). Enrico Caruso's faltering Rachel, quand du seigneur, from La Juive, was recorded in 1920 when the great tenor's voice was running down.* Victor has far better Tetrazzini and Caruso records in its files...

Author: /time Magazine | Title: Music: New Records, Dec. 23, 1946 | 12/23/1946 | See Source »

...week in Cleveland Violinist Heifetz, with fidgety Artur Rodzinski's streamlined Cleveland Orchestra as background, gave the new concerto its first performance. Well-woven as a Paisley shawl, Composer Walton's opus proved warm as well as intricate. And though Cleveland's dowagers found its texture scratchier than crepe, Cleveland's critics fingered its solid warp & woof with enthusiasm. Said Clevelander Rodzinski, rolling a long cigaret of Polish tobacco after the concert: "This is one of the most important violin works of the century. Emphatically so!" Echoed Violinist Heifetz: "I'm very crazy about...

Author: /time Magazine | Title: Music: Sitwell to Heifetz | 12/18/1939 | See Source »

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