Word: scratching
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Dates: during 1960-1969
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...largest private ad agency (billings: $43 million). Bleustein-Blanchet founded Publicis in 1927, gradually expanded the business by piloting his own plane around the country in search of contracts. After World War II, during which he flew for the Free French, he had to rebuild Publicis almost from scratch. In the process, he picked up such major accounts as Shell, Colgate-Palmolive and Renault. He also gave the agency a profitable sideline by opening Le Drugstore on the ground floor of the Publicis building on the Champs Elysees, a venture whose success has led to a profusion of American-style...
...heartland, the big cities are worse: immobile with rigor mortis, "swollen and poisonous with people." Gass pulls a long face at contemporary literary fashions. "It's not surprising," he writes, "that the novelists of the slums, the cities, and the crowds, should find that sex is but a scratch to ease a tickle, that we're most human when we're sitting on the John, and that the justest image of our life is in full passage through the plumbing...
...departure" for seven vignettes (set to music by American Composer Gunther Schuller) that capture both the painter's economy and his wit. There is sexy balletic humor in a spoof of Arab amour that features sinuous ballerina Willy de la Bije as the most languid odalisque ever to scratch herself where it itches. Most ambitious American entry is Glen Tetley's The Anatomy Lesson, which takes as its starting point Rembrandt's famous painting of the white-ruffed, black-hatted surgeons of Amsterdam, solemnly posed around the dissecting table with its pallid corpse. In Tetley...
...third base in a vain attempt to double off McAuliffe. It was a good throw, but Dalton Jones couldn't find the handle, and the ball skittered away, letting McAuliffe score. Before the horrible inning was over, Willie Horton got a wind-blown double to center, Freehan another scratch single both off the hapless Culp--and Oyler a run-scoring single off reliever Lee Stange...
...essentially linear until its extraordinary ending. In the final transfiguration, director Kubrick and co-author Arthur Clarke (Childhood's End) suggest that evolutionary progress may in face be cyclical, perhaps in the shape of a helix formation. Man progresses to a certain point in evolution, then begins again from scratch on a higher level. Much of 2001's conceptual originality derives from its being both anti-Christian and anti-evolutionary in its theme of man's progress controlled by an ambiguous extra-terrestrial force, possibly both capricious and destructive...