Search Details

Word: scream (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Laughter is no laughing matter in this play. In between one-liners and running gags, the characters on the stage of Broadway's Lyceum Theater shout and scream at one another. Their confrontations contain a sly malice, suppressed rage and maddening frustration. As comedy, Grownups is scar-tissue deep...

Author: /time Magazine | Title: Theater: Scar Tissue | 12/21/1981 | See Source »

Besides buying such standard gear as pistols and window grates, residents are purchasing attack dogs, alarms that scream out "Burglar! burglar!" and even armor-plated cars usually made for export to the war zones of Central America. George Wackenhut, who heads a giant Coral Gables-based security firm that bears his name, has watched his business in South Florida grow by 22% this year. "When I was growing up, a murder story used to be good for ten days in the papers," says Wackenhut, a onetime FBI agent. "Here a morning kill may not even make the afternoon news...

Author: /time Magazine | Title: South Florida: Trouble in Paradise | 11/23/1981 | See Source »

...film to see if you have been smoking grass or if you like to scream at the Monkees or if you are interested in what interests drifting heads and hysterical high school girls...

Author: By David M. Handelman, | Title: All Work and No Play Make Jack a Dull Boy | 11/12/1981 | See Source »

...case appreciatively. The guitarist asks those at the back to move up to the curb to avoid blocking traffic, then gets all singing and many dancing to his one-man version of the Beatles' "Twist and Shout." It is a happy inter-generational, inter-racial scene. Cars and buses scream by, and some beep...

Author: By Thomas H. Howlett, | Title: Singing the Brattle Street Blues | 10/28/1981 | See Source »

...point, Maya Angelou enjoys the unique experience of meeting Billie Holiday and even singing for Lady Day. Billie invites herself to Angelou's nightclub act and in the middle of the set begins to scream. "Stop that bitch. Stop her, goddamit. Stop that bitch. She sounds just like my goddam Mamma." When Angelou confronts Billie for interrupting her song, she is told that all Black women sing alike--a mold Billie tried to break. But there is no exploration of why the connection between Black women, particularly mothers, would incite such rage in Billie Holiday. Once the anguish is presented...

Author: By Eve M. Troutt, | Title: No Excuses | 10/27/1981 | See Source »

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