Word: screaming
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Dates: during 1990-1999
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Seven years have passed since Alex Uihlein was treated at Children's Hospital, but Berde remembers him well. "He arrived in severe pain, essentially confined to a wheelchair, and if anyone moved his legs or touched them, he would cry and scream," Berde says. "He was withdrawn and just in very, very bad shape." Alex viewed Berde warily. "I was sick of dealing with doctors who didn't understand," Alex says now. But he found Berde different. For one thing, Berde listened. "He did understand," Alex says. "He believed in me, so I believed...
Then again it is doubtless partly mass hysteria--groupies genuinely mean it too, when they swoon in the presence of their idols, one scream leading to another, one pair of panties thrown onstage soon leading to a storm of votive lingerie. It is partly resentment against the in-laws. Despite late damage limitation from the palace, many Britons see the British royal family as villains in this soap opera, stuffy and reactionary guardians of an old order into which Diana came as a lovely catalyst, only to be spurned as young heroines so often...
...city choked by traffic, has escalated into a war. On the last Friday in July, 5,000 cyclists participating in what is known as the Critical Mass bikeathon, jammed city streets, and the result resembled an episode of American Gladiators. Hemorrhaging cyclists and motorists squared off to scream, spit and throw hands...
...already seen "Scream." So pull that red Pathfinder up to your local video store and check out Rod Steiger's star turn in the 1968 thriller "No Way to Treat a Lady," as a mother-fixated, master-of-disguise strangler on the loose on Manhattan's Upper East Side. He's tracked by a young George Segal as a hangdog cop with some mother problems of his own. For extra currency, try Steiger's third incarnation as Dorian Smith, the swisher with a heart of stone who's been a very bad boy. Look for "Jaws" mayor (and The Graduate...
Hollywood rules. Moviegoers in almost every foreign country prefer American films to their own. They love our action pictures, with their size and tempo and assurance, and all those pretty people realizing outrageous dreams. Our directors know how to fulfill Alfred Hitchcock's aim: to make the Japanese audience scream at the same time as the American audience. Perhaps they know it too well. A manic roteness now envelops action films; the need to thrill has become a drab addiction. Isn't there more to moviemaking than having your finger on the pulse of the world public...