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...that is sure to get hammered by the greener-than-thou Europeans. If he comes home without an agreement, his environmentalist allies will jeer; if the U.S. agrees to a more stringent timetable to reduce emissions, the big-money industry and labor interests he needs in 2000 will scream. Which is why Gore's political advisers tried to talk him out of going to Kyoto, cornering him in a White House hallway a week before the conference began. Gore shut the argument down. "If I weren't going to run for President, there would be no discussion of whether...

Author: /time Magazine | Title: CAN AL GORE BARE HIS SOUL? | 12/15/1997 | See Source »

...many of the residents were (and are) "nice," and they were the ones who screamed loudest for the police to crack down on the crime wave. "The bosses would come back from community meetings with a string of complaints, and we were told to get on it--just get it done," says Blondie. Police supervisors, he says, had other pressures too: "Above the rank of captain, you get promoted mostly by who you know on the force and in politics. And the politicians scream as loud as the residents. Can you tell me when you ever heard a politician...

Author: /time Magazine | Title: HOW COPS GO BAD | 12/15/1997 | See Source »

...watched Drew Barrymore try to guess the original killer in Friday the 13th and, ahem, choose incorrectly. Cannily crammed with the likes of Neve, Courteney and Skeet (if these names seem meaningless, you're just in an obsolete demographic) and directed with twisted bravura by the incomparable Wes Craven, Scream became the highest grossing horror movie ever, reviving the moribund slasher genre and lifting its author into Hollywood's screenwriting elite. When the Williamson-scripted I Know What You Did Last Summer (starring Jennifer Love Hewitt and Buffy the Vampire Slayer's Sarah Michelle Gellar) ruled the box office...

Author: /time Magazine | Title: THE BARD OF GEN-Y | 12/15/1997 | See Source »

...this weekend, as the multiplex masses pour into Scream 2 to learn who's trying to carve up poor Neve this time, Williamson will be poring over the decidedly calmer dailies for Dawson's Creek, a coming-of-age TV series whose adolescent anxieties are resolved not by gleaming cutlery but by awkward, angsty dialogue (though the dead-on post-grunge sound track remains the same). Debuting next month on the WB network, the quiet, thoughtful Dawson is about as far removed from slasherdom as you can get and still have L.A.'s BMW brigade return your calls...

Author: /time Magazine | Title: THE BARD OF GEN-Y | 12/15/1997 | See Source »

Williamson kids may talk like therapists, but they act like guarded and wounded 15-year-olds whose cell phones and videotapes stand in for a sadly absent adult institutional authority. Scream worked not just because teens reacting to murders in their midst by ironically citing old horror movies was a fresh take on a way-stale tale, but also because their jaded nonchalance felt almost frighteningly cynical...

Author: /time Magazine | Title: THE BARD OF GEN-Y | 12/15/1997 | See Source »

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